Andre Perron SOC

Well, I "think" the steadicam work was ok... because I was totally immersed in the story! That's, in my own opinion, the best proof you did great in operating. I didn't focus on the camera movement since the scene was interesting enough to get all my attention. but we could see it the other way around; the camera work was so good, it didn't caught my attention and it took me straight in the story. So, was that a scene of an upcoming feature or tv serie?

I'm waiting for my Inovativ Echo 48 with Steadicam Package to arrive this week; a good friend of mine (and 1st AC) and I participated at the Inovativ Challenge at CineGear 2014. We finished 2nd (lost in the final!) but we both build and take appart the Ranger 36 in a total of... 24.77 seconds! These carts are definitely the best on the market. Yes, you pay more than other brands but none of them come close to the details, quality and efficiency from Inovativ. Mr. Fletcher is right on this one.

Anyone knows if GPI PRO will be there as well?

SOLD!

Sale pending...

The G-Zoom Custom Edition (GZCFZ). Gimble Diameter 1.102 inch (MK-V, Artemis) + Canon Focus Adapter. ​NEVER been used, test just once to see how it works. Never got into live show, I always shoot with cine-lens and I use other lens control system. 850$ firm, shipping 20$ if not local. Payment will be via PayPal. I'll let you know how we can manage that with eBay. ***this G-Zoom is not on eBay***

FYI, I just received it as well.

I went for a workshop in Eching, Germany, home of my Sachtler's Artemis EFP HD 2 years ago. Definitely worth it, especially since I got to visit the factory and learn all about my own rig. I'm now planning on my next workshop; you never stop learning! I'll be shooting like crazy in May so I won't be able to attend to the May workshop but I just saw another in September in Maine... but it's not the so called SOA workshop... My question is the following; should I wait for the next official SOA workshop in Pennsylvania or would the one at Maine Media is as complete? Anyone is more than welcome to give their 2 cents...!

The sensor will probably be the first point for them to discuss; it's the main negative critic they heard about. If they do something about it, then will probably change the dynamic range. The cutout hump in the back is in fact due to a front baseplate, which is an option to have rods mounted directly on the camera. There's also an optional rear baseplate. You could easily get away from that old school design if you'd prefer. As for the connectors, that's a major "issue" where a lot of "accessories" companies will built protectors & cages for that. It's far from being ideal, I know. In my opinion, this is a first draft. For 9K$, you cannot expect a product that compete the Amira. And it's (hopefully) not their intention. But they might realize there would be a place for such a camera, with the changes we just listed, even if they would triple the price. ... and about the temperature range, I totally agree with you, Jens: I live in Montreal, where -30º is common in the winter. That's a big no-no.

https://www.aja.com/en/products/cion for those of you who didn't see it, yet. Yes, it's a really good looking camera. I won't be able to test it before the end of May, though. If anybody does have a chance to give it a try, throughout until color-grading, please let us know by posting a quick review. Thanks!

Does anyone have an incoming shoot experience with the new AJA Cion? We might see that camera quite often on the not-so-far- future market...

Aren't they bulkier? Heavier? This could be good or bad, according to what ones need. Personally, I'll have to test them on my rig first since they do seems larger. But I'm still a little bit confused about their choice of colours...! Well, you know, who really cares about that; if it works good, gI'm buying!

Thanks Victor, that's what I thought! I was simply wondering, I never heard about them before. I just bought a Paralinx Arrow+ system at NAB 2014 (all I needed was a 200'ish foot range) and these guys are awesome! Great product, amazing service... If I ever need a full range, I'll aim for their Tomahawk system. Welcome yr visiting. Yeah, right...

Anyone tried this system?

It did "look" pretty. But it was not operable. "Not ready yet" was the answer at "can I try it?" Ask Peter Hoare about it. And, honestly, I'd be (amazingly & positively) surprised to find a reliable 3 channels system for 5K...

SHAPE http://www.shapewlb.com will soon come up with various rigs for SmallHD monitors, with their great push-button handles. Keep looking, it should be available this summer!

Oh Pete, will you have some bits & parts with you? I would definitely be interested to get a Motor Rod Clamp, I'd like to avoid putting some velcro on the receiver. I'll see you soon, I have a picture to show you: I'm looking for a cable to power the Rx on my Artemis EFP HD but cannot find it anywhere... Booth #C5443, SHAPE WLB, drop by when you have a few minutes. And a thirst for a beer, I owe you one!

I never heard about "beer" but I'm always willing to open my horizons. I'll be at the SHAPE WLB booth as a consultant and will definitely have a "beer" with Curt Schaller (the Sachtler's Artemis designer) some evening. Drop by, it would be nice to meet fellow operator...!

It was installed upside down.

Your case doesn't need to be that deep; take a look at the Pelican 1700: http://www.pelican.com/cases_detail.php?Case=1700

Nice thought for Sarah at the Oscars. Lovely!!

Did you read this thread? http://www.steadicamforum.com/index.php?showtopic=19932

You might want to get some info about "re-celling" those batteries IF they don't hold charges anymore (and finding that out on a set while shooting that 4 minutes long oner might not be the perfect time to do so). Where are you based at?

Yeah, it's the new way to work. Every operator should learn from this video. After looking at this video, all the operators should visit the following website: http://www.wwwdotcom.com

Wow! Best product since this one: