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Found 2 results

  1. Hiya folks, I have recently acquired a master series kit at work and have noticed the bottom section of the arm kind of snaps/clunks into its final positions at the top and bottom of the boom. I am new to a rig of it's age/power so wanted to confirm if this is normal for it, and as long as the arm is tuned properly the top/bottom should be avoidable? I've attached a video, note the tune isn't perfect I just set up quickly to demonstrate. I appreciate any knowledge the community can offer, -Tyson King IMG_2650.mov
  2. I'm a college student just starting off- everyone's heard that before, no? I rent out my school's Zephyr rig often and work on many thesis films with full F3 rigs that almost max out the rig. I also have a video production company with a few of my guys from school and we plan on moving out to LA to continue our company. Our company has a Dragon with nice lenses, and a bunch of lighting and grip equipment. The Dragon weighs a ton, which the Zephyr can't really handle. I've built up a decent reel with all of this footage I've accumulated over the past year or so of oping, and I'm looking to purchase my own rig but don't want to start small like most people do because I'm already beyond that. I need something that can fly the fully outfitted Dragon and even an Alexa because that's what some ad agencies in the area are using. It's taking a bit of convincing on my end for my folks to help me with this sort of investment. Basically, they want guarantees in an industry where guarantees are hard to make, especially at my point. I was wondering if people could share their advice and answer a few questions I have about things. Here they are: -What does the average steadicam op make a year? Without telling me what you personally make (because no one likes to do that, I completely get it), just throw me some numbers; Is it enough right out of school with a killer real to meet other expenses such as owning a car/place to live and eat? -If Im looking to fly a fully outfitted Dragon and even an Alexa because that's the stage that I'm at right now, then what equipment should I really be looking at that won't absolutely break my wallet like a $50k GPI Pro system? I really want to do front mount and like the feel of a larger post like the action cam and GPI systems. Should I mix and match components to build what I need and what would you suggest? -How in the fuck do I finance something like this right out of the gate without any guarantee I can make it back? What are some of your stories- surely not everyone has $50k lying around to finance the best rig right out of the gate- yet how can you compete with these jobs and in the industry if you aren't right up there with the big dogs? -Does getting a loan from your family as well as a loan from the bank and then going to different businesses/agencies and asking for upfront money really work? It seems to me that if you talk to an agency you don't know then they wouldn't want to give you money up front to do a job- it's basic business. Any stories from people who have successfully done this? The problem is I don't have anyone I know in the industry to ask these questions to- questions that I really need to know in order to go into the field because I really love the job and the creativity it brings. I love how everyone on set knows you by the end of the shoot and you feel like you accomplished some huge feat at the end- which might actually be true haha. Can anyone lend me a few minutes with a response to one or some of these questions and help me out? Thanks. -Brendan
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