Premium Members Michael Wilson Posted April 9, 2010 Premium Members Report Share Posted April 9, 2010 I'm pretty sure most of the moving shots are steadicam. Maybe some more seasoned eyes could better inform me. The shots and cuts are great. The horizons are pretty flawless for being so wide. The Gift Quote Link to comment Share on other sites More sharing options...
Premium Members Pedro Guimaraes SOC Posted July 2, 2010 Premium Members Report Share Posted July 2, 2010 I'm pretty sure most of the moving shots are steadicam. Maybe some more seasoned eyes could better inform me. The shots and cuts are great. The horizons are pretty flawless for being so wide. The Gift Yes very cool...... you can watch behind the scenes here...shot on RED, you can see the steadicam on harmounted on a camera truck for the chase sequence and operating in the red square. I think the first shot of the hallway arches is dolly then steadicam....if not this guy kicks ass. http://www.slashfilm.com/2010/05/27/exclusive-making-of-carl-erik-rinschs-the-gift/ here is the short letterboxed wihtout the phillips bs.... Quote Link to comment Share on other sites More sharing options...
Kim Brown Posted July 30, 2010 Report Share Posted July 30, 2010 I'm pretty sure most of the moving shots are steadicam. Maybe some more seasoned eyes could better inform me. The shots and cuts are great. The horizons are pretty flawless for being so wide. The Gift Yes very cool...... you can watch behind the scenes here...shot on RED, you can see the steadicam on harmounted on a camera truck for the chase sequence and operating in the red square. I think the first shot of the hallway arches is dolly then steadicam....if not this guy kicks ass. http://www.slashfilm.com/2010/05/27/exclusive-making-of-carl-erik-rinschs-the-gift/ here is the short letterboxed wihtout the phillips bs.... Thank you for the link without that annoying frame. Quote Link to comment Share on other sites More sharing options...
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