Premium Members Adi Visser SOC SASO Posted August 20, 2017 Premium Members Report Share Posted August 20, 2017 The wave1 is great for keeping horizon, if you want to lock a frame for a long time or do precision moves in or out my 6X6 gyro is still very effective ,yet it has to be at a spinning level to make it less noisy for sound . Quote Link to comment Share on other sites More sharing options...
Mariano Costa Posted August 22, 2017 Report Share Posted August 22, 2017 Thank you, Adi. That's roughly the info I gathered so far. Â But still, a little video would speak a thousand words. Right now, I, without access to a wave owner, don't have any clue how significant the visual impact of this device can be... Quote Link to comment Share on other sites More sharing options...
EfremPeter Posted November 22, 2017 Report Share Posted November 22, 2017 Does anyone have any experience in using the wave1 for handheld? Quote Link to comment Share on other sites More sharing options...
Premium Members Damien Tessandier Posted December 10, 2017 Premium Members Report Share Posted December 10, 2017 I shot a few sequences on a TV show last month with handheld wave1. Mounted directly on my Betz Shoulder set, added a Starlight clamped on the Alexa. Raises the camera level noticeabily! But no big deal. Pans are pretty clean :-) and allows fast moves. Anyway, director didn't feel comfortable with this kind of framing. It's very different than what we're used to, you've got that "organic feeling" but with an almost perfect level... Don't know how to deal with that, how to use it in an academical way of telling stories with a camera. Quote Link to comment Share on other sites More sharing options...
Premium Members Daniel Loher Posted December 14, 2017 Premium Members Report Share Posted December 14, 2017 I have been using the Wave1 a lot and I love it. It's always on my rig. There are some situations where I prefer to shoot with it turned off. A few times when setting up my rig the Wave wouldn't power on. The first time that happened it totally stressed me out however I found the solution is disconnecting the power cable for a second... and in the worst case just shoot without it. (Note aside: If a gimbal stalls, your screwed) Â The Wave does raise the camera a fair amount. With heavy cameraloads you either need to extend the sled bottom very far, or if you want to fly compact you'll need to counterweight with heavy batteries. I use a Pro rig. Â I have the assistant set up the camera more or less in balance, just how I would fly it without the wave. Never ran into off balance issues. Â It's an excellent tool that lets you forget about horizon to a degree and concentrate on the frame. Quote Link to comment Share on other sites More sharing options...
Chris McKissick Posted March 8, 2018 Report Share Posted March 8, 2018 Hey there, I would love to rent a wave for my next job, though I've never tried one besides at a trade show a year ago or so. Would you say if I had a look at the tutorial videos on the web and read the manual, plus use the prep day to get familiar with it I will have a smooth time with it or should I definitely consider practicing with it for a while before using it on said job? (which would not be an option, unfortunately) Quote Link to comment Share on other sites More sharing options...
Chris McKissick Posted March 22, 2018 Report Share Posted March 22, 2018 So I got it and loved it! Used it on the next job as well. Both Alexa Mini with Cooke Anamorphics. Even flipped the wave on its head, attached some grips and a monitor and hung the camera from it for EasyRig handheld running shots. Quote Link to comment Share on other sites More sharing options...
Premium Members Ramon Engle Posted April 5, 2018 Premium Members Report Share Posted April 5, 2018 No real way to positively lock the roll cage. Just power down. Theres always a tiny bit of play when powered down. Quote Link to comment Share on other sites More sharing options...
Premium Members Ramon Engle Posted April 8, 2018 Premium Members Report Share Posted April 8, 2018 Sorry guys my last response I was speaking to was about locking the OMEGA roll cage. Quote Link to comment Share on other sites More sharing options...
Premium Members mark morgan Posted February 14, 2019 Premium Members Report Share Posted February 14, 2019 On June 19, 2016 at 3:53 PM, Jarrett P. Morgan said: not that I noticed. It was a very solid build. Amira with the UAP-2.  I didn't do very much full on running though. I would be interested to see some actual sprinting with it. When I get some downtime next week I can do some tests. i used it on the 2018 ironman event in hawaii and i did some serious sprinting and it was solid on the horizon Quote Link to comment Share on other sites More sharing options...
Premium Members mark morgan Posted February 14, 2019 Premium Members Report Share Posted February 14, 2019 On April 5, 2018 at 10:30 AM, Ramon Engle said: No real way to positively lock the roll cage. Just power down. Theres always a tiny bit of play when powered down.  aloha roman, i've bee using mine and the locking pin seems to keep it solid but my question is, what's the best drop time for the wave it sometimes seems to throw me off when it's correcting the horizon not often but from time to time,it starts to feel top heavy and i'm at a bout a 2.5 second drop time Quote Link to comment Share on other sites More sharing options...
Premium Members Tom Wills Posted February 14, 2019 Premium Members Report Share Posted February 14, 2019 11 minutes ago, mark morgan said:  aloha roman, i've bee using mine and the locking pin seems to keep it solid but my question is, what's the best drop time for the wave it sometimes seems to throw me off when it's correcting the horizon not often but from time to time,it starts to feel top heavy and i'm at a bout a 2.5 second drop time Hi Mark, The big question is - are you balancing the camera's vertical CG in the Wave? As in, can you unlock the Wave (when powered down), roll the camera to either side, and have it stay there without issue? It should be balanced so that the camera is totally neutral inside the roll cage of the Wave. If it is "bottom heavy" (aka seeks the center) in the Wave, it becomes almost impossible to operate as any deviation from absolute level will cause the rig to want to fall further and further off level. The method Larry McConkey figured out early on, and that I also use (and many other ops) is using a set of small counterweights on a Noga arm to raise the CG and be able to adjust it precisely to where it needs to be. I am also working on the design of riser plates that will allow you to raise a camera's CG with a very light, small plate, rather than the heavy and often too-tall Wave Rider, to limit how much weight is needed. Quote Link to comment Share on other sites More sharing options...
Premium Members mark morgan Posted March 2, 2019 Premium Members Report Share Posted March 2, 2019 On February 13, 2019 at 5:44 PM, Tom Wills said: Hi Mark, The big question is - are you balancing the camera's vertical CG in the Wave? As in, can you unlock the Wave (when powered down), roll the camera to either side, and have it stay there without issue? It should be balanced so that the camera is totally neutral inside the roll cage of the Wave. If it is "bottom heavy" (aka seeks the center) in the Wave, it becomes almost impossible to operate as any deviation from absolute level will cause the rig to want to fall further and further off level. The method Larry McConkey figured out early on, and that I also use (and many other ops) is using a set of small counterweights on a Noga arm to raise the CG and be able to adjust it precisely to where it needs to be. I am also working on the design of riser plates that will allow you to raise a camera's CG with a very light, small plate, rather than the heavy and often too-tall Wave Rider, to limit how much weight is needed. yes i do balance it side to side and for and aft Quote Link to comment Share on other sites More sharing options...
Frank Schwaiger Posted March 3, 2019 Report Share Posted March 3, 2019 Hi Mark, Tom's question was if you are balancing the camera in the vertical axis. You just confirmed the other two axis. If you are not balancing the camera vertically this may lead to issues with the wave's behaviour. So you have to take care about the height of the CG of the camera as well. Therefore most of us put small counterweights on top of the Alexa mini or attach the viewfinder to the top because the mini's CG is lower than needed with the wave with most setups - or all setups I had at least. Quote Link to comment Share on other sites More sharing options...
Premium Members mark morgan Posted March 18, 2019 Premium Members Report Share Posted March 18, 2019 On March 2, 2019 at 11:47 PM, Frank Schwaiger said: Hi Mark, Tom's question was if you are balancing the camera in the vertical axis. You just confirmed the other two axis. If you are not balancing the camera vertically this may lead to issues with the wave's behaviour. So you have to take care about the height of the CG of the camera as well. Therefore most of us put small counterweights on top of the Alexa mini or attach the viewfinder to the top because the mini's CG is lower than needed with the wave with most setups - or all setups I had at least. thank you frank i'll do that this week Quote Link to comment Share on other sites More sharing options...
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