daniel hanit

I would try a 2 seconds drop time, and i wouldn't trust the bubble too much, mine is a bit off...

Sounds great Job! Do you own Epics?

Job, I only wish they would let me be a part of the loop... I would try to get involved before they prepare the set for the 2nd season that is coming up. Do you still own the AR?

Rob, I use the Link with the Sony pmw-350, both take power from the sled therefore it is a very light weight setup. What would you say is the cost of your phantom sled including the mods you did?

The 6.5" monitor is amazing, MUCH better than the 7" in my humble opinion. Mine is on its way from B&H, after seeing it on IBC Amsterdam next to the other alternatives...

Ron, regarding the extending of the monitor far outside for more pan inertia, i do that when operating for films to get the pan inertia, however following the advice of a TV operator i admire, Johan Sandklef from Sweden, when doing live shows i have the monitor very close to the sled so i am looking at it straight down. This allows me to do 360 shots in both directions without worrying about getting my arm bumping into the monitor.

Rob, your rig looks amazing. Did you mod it from the original model sold by Tiffen? What arm do you use with it? By the way, and off subject, i recently got my own Link L1500 wireless system, and i am very happy with it. Job, i saw the amazing shots you did with the Handsfree on The Voice, GUTSY!!

Thanks jens! The photos of the EFP on my websight are from the old days when o still used the Chrosziel green screen. Job, we just finished the 1st season of the Voice in israel, we shot all the auditions, battles and live shows on the same studio in jerusalem. It wasn't a very steadicam friendly set, many stairs, with no place to hide after finishing the shot, so only long shots of entering the stage, 360 degrees and then back to where i started. And by the way, almost everything started by Hollands John De Mol, isn't it?(-:

I forgot to mention that i use my mofified EFP only for live TV shows that i do such as THE VOICE and IDOL, which require me to do dutch rolling, whip pan shots, and generally a very different operating than what i do when operating in feature films.(it is dynamicaly balanced with the modification i did) For films i use my ULTRA 1 sled, which is amazing for slow shots with tele lenses, high and low mode, but horrible for the kind of work i do in live shows. I believe that Tiffen realized that the giant bottom of the Old Ultra was not a good idea, therefore gone in the following Ultra 2 which allows you to decide if you want more or less inertia in your shots. Anyway, thanks a lot for your input!

I have an EFP which i keep as minimal as possible at the bottom in order to avoid it bumping in to my knees or having forced to get it far from me in order to switch sides. Many sleds are not able to do that as they are built with the battery far out from the post.(ultra 1 for instance) I am interested to hear your thoughts on that subject...

I have a stanton zoom/focus that i am willing to sell for 1800, excluding the focus motor, if anyone is interested...

Magnificent operating!

Hi,can you check how much is shipping costs to israel? Thanks

Hello, what is the price please?

Hello Joshua, If you are willing to sell fot 2k please let me know. Thanks, Daniel Hanit

The best live TV live steadicam operator in my opinion is Johan Sandklef from Sweden, and he uses an old EFP.

Hi Jamie, Do you still have the archer 2 for sale?

Hi there, If your friend is willing to sell for 550 euros, please let me know. Thanks, Daniel Hanit Dhanit@bezeqint.net

Hi,what's your best price just for the sled and monitor holder?

hi there, can you help me get robert luna phone number or e mail? i need to service my efp arm. thanks

Are you interested in selling for a 1000 euros?i just need it as a spare efp vest, so my budget is limited...

Still available? What kind of lens?