Being a steadicam (then Trinity) operator should follow (imo) being a camera operator. There’s much more to this job than lifting and moving the rig.
But yeah, being on sets is the (only) way to make it.
Best of luck!!!
Hello group! I’d like to see what are the options when it comes to sled rain covers, fro monitors & battery racks, lower & upper stages, even camera protection.
(Pro CineLive, gen III, Transvideo HD6 and SmallHD 703 with AB plate)