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Hey gang! After having countless discussions on set about how to train for what we do, I decided to put together an article which outlines in detail; how to train and condition our bodies for the demands we face on set as Camera and Steadicam Operators! Please take a moment to check it out. Share it with fellow Ops! https://www.daviddesiocinematography.com/blog

Selling my back up X1 arm, hasn't been used and have decided to move it on. 9000USD or best offer. Don't wait and get a brand new arm without the wait. Comes in a custom case with lowmode bracket. Can ship worldwide at buyers expense. Arm located in Australia

Selling my Betz Wave, only reason is because I have 2 of them! I absolutely love these things. this one is coming straight back from Germany from service so it’s gonna be in tip top shape. comes with a pelican case i don’t have an extra betz plate but I believe they’re probably easy to order. asking 5500$

Good morning. The Zalex group of accessories started in 1992 with the prototype of a Broadcast video camera low-mode plate. First tested at the Steadicam Workshops in Rockport, Maine, it showed great promise and inspired efforts to make bits that serve my needs. Since that first effort, parts have emerged such as an overhauled Model I/II/III/IIIA Vest, drop-forged steel docking bracket for older sleds, the Longplate, LensLift lens support system, Tally Light Kit, Arm Repo Mount and other items. The full complement of Zalex accessories can be found at our website: https://www.zalex-products.com We’re pleased to share that we have just taken delivery of another 60 Longplates. The Zalex Longplate fits all stages from all manufacturers. There are currently over 350 Longplates in use worldwide. This is the longest, thickest and therefore most rigid, dovetail plate available. Some of the benefits of flying with the Longplate include: º Comes with hardware that allows an Alex/ Amira/ Venice/ Sony camera to be mounted directly to the plate. Stop using a VCT-type of plate and mount right to the Longplate. º Slotted to allow for mounting of 15mm rod clamps for follow-focus, Talent Monitors, lights and other accessories. º Pairs well with the LensLift support system. º Notched for the safety bolt used by some models of GPI/PRO, XCS and Sachtler/ Artemis sleds. º Fully slotted for 3/8-16 lockdown screws, the Longplate kit includes adaptors that allow for ¼-20 screw use as well. º Readily locks into a tripod adaptor to save time on sled-to-sticks turnaround. In addition to the Longplate, the Longplate-M fits the Tiffen Medium Stage sleds. These includes the Archer 2, Zephyr and Scout. Email me for pricing and shipping information at: peter@steadicamproductionservices.com Fly safe !! Peter Abraham, S.O.C.

Selling my extra LX vest with large socket block. QC’d by Tiffen and pads fully hand washed in March. No tears or defects. Comes with carrying bag. In great shape. $1,700 shipped. (*US ground shipping or I'll take off $50 for international buyers; buyer pays shipping)

Betz Wave For Sale Excellent condition. Comes with - 1x Tripodlokplate by Betz-Tools 1x power cable 1x Dovetailplate by Betz-Tools 1x Travel Case USD$6000 include shipping (Exclude insurance, tax and bank charges) Located in Singapore Interested Kindly PM to discuss

New style M2 SledCover Waterproof Lightweight Material Zipper Front for easy installation. WrapSnap closure around post Cable inlets Leg room for bigger batteries Can also be built for slim battery setups Rear battery access YKK Zipper System BongoTies / Pouch $265

I´m based in Chile, and wanted to invest 37.5K open to offers. thanks in advance to everyone.

Received an email from Daniel Crawford, interested in selling me his gyros. he sent me stock images, and stock videos that don’t belong to him , a Google voice number. He said he was a steadicam operator and was unable to tell me what rig he owned. Didn’t know what the 600 was and a few other red flags. Buyers beware.

This XCS HD2 Sled was purchased with the intent of assembling a high quality rig; regrettably a knee injury sidelined me before I could complete my mission. Mr. G Bubb of XTended Camera Support worked with me on the purchase and can be contacted for confirmation. I paid around $40K for the gear, and Am looking to recoup as much of the money spent so I'm looking for 19k the best offer as it will do no one any good sitting around unused. Only serious buyers need reply as i don't plan to give away good equipment for nothing, but all respectful and reasonable offers will be considered and the best will will be accepted. Reach out and we can exchange private email info Respectfully, J R Renaud

I am selling a complete Steadicam kit with a LX Vest, G-50X Arm, and a heavily modified Archer Sled. Complete kit for $13,000 OBO. Available near Times Square in Manhattan NY. Everything is in good working condition, this is a great starter kit! - It is complete with all basic accessories. Major Components: -Steadicam LX Vest -G-50X Arm (Label says G50, but bearings were upgraded) -Heavily Modified Archer Sled (Internal HD Wiring, 12/24v Selector, Sled base is modified-see photos, adjustable battery position ) Accessories: -Tv Logic Monitor -4 IDX V-Mount Batteries -V-Mount 2-Battery Charger -Low Mode Bracket -F Bracket for Low Mode -Docking Bracket -Sony VCT Quick Release Plate -Assorted Cables and small Tools (see photos) -Assorted bolts, zip ties, replacement BNC connectors (see photos) -Practice Weight Cage -Two large cases that fit entire kit Feel free to message me with any inquiries!

Thank you Gus!! Your reply may be great help to me. I was unsure which volt gimbal to buy. And your advice made a way to go. Thank you so much Have great day!!

Bump

Getting rid of stuff I don't use. For what I do , the Volt is the right tool . Wave 1 in great condition. only used in studio for a project. Includes: case, blue plates with screws, little arm and weights. $5,250.00 Los Angeles area.

I am selling my backup PRO arm, it is the first version. Works perfectly, has signs of work (scratches...) I am selling with 4 blue and 2 black springs. Buyer pays shipping. Asking 13000€ steaditeam@gmail.com +34 658025223 Madrid, Spain. Jordi

Steadicam Zephyr Rig with several upgrades and modifications to this package beyond just the stock rig. This package comes with the stock monitor but includes a 3D printed monitor yoke for a SmallHD 703. It also includes is a 3d printed wide handgrip by SkyMagic and a mount for the 2nd battery plate allowing you to power 12v and 24v cameras and accessories. The package comes with a full set of bottom weights specifically designed for the Zephyr system and a Low mode Bracket. Stand is not included. This package was serviced by Tiffen in late 2021. Perfect working condition. Minor scuffs from use. 1x Zephyr Sled 1x Dovetail Plate 1x A30 Arm w/ bag 1x Zephyr Vest 1x Zephyr Dock 1x Zephyr Case 1x SmallHD 703 Monitor Bracket 1x 2nd Battery Plate 1x 3d Printed Grip Cover 6x Large weights 4x Small weights 1x Low mode Bracket STAND NOT INCLUDED

If you do solid arm posts, which I think are a great option, I would absolutely drill out the end of them that goes “down” in the arm maybe 1-1.5” deep (I can get you a measurement off of the Hill dock at some point) so they can still be mounted on the arm hanger of a dock. None of my posts have ever bent on the bottom end where they go into the arm, it’s always either a general bend throughout the arm post or a bend right where the shaft collar is that prevents the arm post falling through the arm. Without a hole in the bottom of the arm post, especially on a PRO arm, it’d be an incredible pain to hang the arm up and likely open up the arm to damage as it swings around from whatever hacked way you’d have to hang the arm.

I think I can speak to the aluminum versus stainless debate, as I was the one who was selling stainless steel arm posts a couple of years ago. I have had several issues with aluminum arm posts over the years of using my PRO arm. For most people, I think the aluminum posts probably suit them fine. But, for people like me who tend to push their gear to the limit, I have found that every single hollow aluminum arm post I ever had eventually bent or cracked. Quite simply, with a long gimbal handle like an Ergo handle, or regularly flying 60+ pound sleds in low mode with an F bracket on longer arm posts (I spend a lot of time in high low mode with a 12" arm post), a 6061 aluminum arm post with 1/8" wall thickness won't hold up. I first noticed a bend in my 12", then upon checking I found that the 8" was even more bent and was beginning to crack at the bend, and after a couple more years I found that even the 6" arm post I was using had some stress cracks in the anodizing where the post met the shaft collar. I eventually switched to making my own arm posts out of 7075 solid stock, turning them to the correct size (several arm posts I purchased varied wildly in size - not good!), but I eventually decided to move to 304 stainless steel for my own arm posts. The thing I like about steel is that it doesn't tend to crack and fail spectacularly like Aluminum does, but it bends. I have put a 60+ pound sled on an 18" stainless arm post (304 with 1/8" walls) and while you can see the post bend, I am not worried that it will spontaneously crack if it is bent like an aluminum post does. For my stainless arm posts, I had a local aerospace grinding shop do a run of stainless tubing centerless ground to .621" diameter, +/- .0005" (they laughed and said that to them that was a mile wide tolerance!). I found that to be the sweet spot amongst all of my arm posts I had purchased over the years - measuring and averaging them seemed to come to that number. Some were as small as .615", some were as large as .623". Honestly, the stainless was probably overkill, but for me, it was an insurance policy against catastrophic failure, and that for me was worth it. You probably could offer solid arm posts that would do the same, or 7075 aluminum, but I know I liked the feeling of security I got from the stainless.

4 HD lines A/B Anton Bauer gold mount. Battery meter USB port Sachtler monitor bracket Sachtler gimbal ( serviced 3/2023) No issues with the top stage Longer dovetail plate Plenty of power top/bottom stage 2x 4pin XLR cam power cable Everything works fine. Price: $5,000 USD Buyer pays for shipping. If interested or have additional questions, please contact me via email at steadirig@gmail.com

Bump! I’ll still honor the 5200$ on here (going for 5500 on marketplace) but it does come with a plate and spacer plates now!

Nice Rig... So Perdy...Drool... Where did you get the case made?

New years drop :) New price: 34000 € EUR Happy new year

Hello , Betz Twister For sale. Excellent Condition.Used twice. 2000 usd plus shipping Located in NYC Best Alan Mehlbrech SOC

Hi all, I sell my backup/spare rig. It's a Smartsystem Matrix Extreme with lots of additional accessories. It's a 3G-sdi 12/24v sled with 3rd battery plate and which can power a Ronin 2 at the bottom of the sled with TB50/55. Volt upgradeable. Sled is bought new in 2019 and serviced/cleaned by Smartsystem last year. Very good condition with only minor scratches. The only "problem" is the docking bracket screw which no longer locks but this does not prevent the good use of the docking bracket. Come with a lot of cables for almost all camera setup, screws and custom hard case. Do not hesitate to contact me for any additional info/picture Asking 9500 euros + shipping Possibility to try it in Lyon (69), in France Ship worldwide nicolas-ferron@hotmail.fr

Hi all; I've got a new vendor and all stocked up again with plates. I've even got a couple of new holes in the edges so that you can configure the posts in many ways, rather than just the four corners. I've got some good pricing, probably a bit better deal. Pictures to follow. Janice Have a wonderful 2024 after an horrendous 2023.

GPI Pro Vest Chest 25” , Waist 34” like new, small scratches. to be picked up in Berlin 4600€ + Tax & shipping

Greetings to everyone, For those of you who may be considering upgrading their Sled to HD we currently have several HD-SDI Wiring Harnesses/Looms available, which are purpose-built for 1 ½” inch Centre Posts. The Specs are as follows: ----------------------------------------------------------------------------------------------------------------- DESIGN FEATURES AND SPECIFICATIONS ------------------------------------------------------------- The cord consists of a coiled section with a straight tail on either end of it. Each straight tail is approximately 1 metre/39 inches long. The extra length in the tail gives the operator two options: The electrics person can cut off the extra length, strip off the outer sheath, and use the inner wires for the internals of the upper and lower junction boxes. This provides consistency throughout the wiring on the rig, with no need to spend time sourcing materials elsewhere. There is sufficient length to enable the cord to be installed into a Super Post. SPECS 4 cores, 18 AWG (red, black, green, white) 2 cores, 26 AWG (red, black) 4 cores, 28 AWG (red, black, blue, yellow) 1x RG 179 75-ohm mini coax (for HD-SDI) Wire configuration/order matches that of the industry standard Outer jacket colour: Black OD of the cord to suit standard Lemo plug OD of the coil to suit the inner diameter of 1 ½” inch centre post In addition, the wire is configured the same throughout the cable, resulting in a mirror image no matter where it is cut. This will make your electrics technician very happy. We have several in stock, and they are available through our Website. HD-SDI Wiring Harness/Looms for 1 ½” inch Centre Posts Upgrade - Steadyrig

As I'm gearing up to sell my Smartsystem Sled, I noticed I forgot to update this. As David said I recovered my stolen gear a week after it was stolen. Pretty crazy story. I had an old Southwest Airlines tag on my gear still and I guess who ever stole it all was so confused on what a steadicam is or something that they just ended up leaving it all in Hollywood somewhere. An amazing person called Southwest airlines and handed it all off to them who then called me about this weird scenario and if I was missing any bags lately. So ya I think I had spent all my good karma on that crazy luck. Now I'm running an M2 and don't need my smartsystem sled but it was so fortunate that I recovered everything. Unfortunately most people aren't so lucky.

Selling my TransVideo CineMonitor HD6 SBL+. Bought it end 2019, refurbished at TransVideo in August 2023 with a new LCD screen. Looking like new. Everything you see is included (power cable for Steadicam M1). 2900€

Sold

Bump

I'm sorry the vest didn't work for you - let me know if you need any help in re-selling the vest.

This is a great deal!

Don't buy cheap power cables from an unknown source. They are unreliable and can end up causing damage to your sled or the camera. Be it knockoff connectors, the wrong gauge wire or worse, incorrectly wired, if they're cheap, there is a reason. Cableflexer (https://www.cableflexer.com) makes incredible quality cables of all types. In fun colors too if you want. Greg Bubb at XCS (http://www.xcsinc.com/) also does. Terry West (in California) and David Hable (in Canada) also make cables, but I've never purchased any from them.

$8500 USD or best offer

I have more items coming up for sale soon... Preston Cinema Focus/Iris (aka Single Channel) Preston Cinema MDR4 Preston Cinema DM1X Motor Heden M26VE Motor Heden M21VE-L Motor Additional items only available for sale after HU3 sells. Complete package inquiries welcome!

Heavily Modified Movi XL With Fiber Optic Gyro, Ignite-Digi TB50 Battery Adapter, Power Block, Brutal R&D Slipring And Tons Of Accessories For Sale: Please Read Entire Listing Carefully Before Contacting Me. For sale is an excellent condition Movi XL package. An incredibly complete Feature Film, Series, Commercial ready package in excellent condition and perfect working order with all needed accessories and cables including flight/travel case. Package Includes: Movi XL 3 Axis Stabilized Remote Head With Optical Gyro And Flight Case. Brutal R&D Full Slipring system for power and video (brand new/unused) with two remote power cables (new/unused). Complete Mimic system w/ Atomos Shogun Flame High Bright Monitor, Camera Cage With Handlebars and Anton Bauer Battery Plate, Mini Sliding Dovetail (to attach Mimic system to your favorite Fluid Head or Geared Head with an Arri Sliding Dovetail Plate), Mimic Quick Release, Antennas (short and long) and Charging/Power Cable. Arri Style Camera Plate (19mm studio). XL Dovetail Plate. XL Lens Support. XL Rod Support. 19mm Carbon Lens Support Rods (various lengths. X3 sets). Pop and lock 50mm. Movi XL Chargers (2). Movi XL Wiring Harness spare. Quick Release Kit. Movi XL to Mitchell Mount. Custom Easy 90 Degree Mitchell Male to Mitchell Female (For Nose Mounting Of The XL. New/Unused). Ignite Digi TB50 adapter and power block (original Movi XL battery plates included as well). The Power Block is new/unused). Ignite Digi power cables (2) for Alexa Mini, Mini LF and Alexa 35 (New/Unused). Ignite Digi 12 volt camera power cables (2) to universal 4 pin XLR. 4 Pin XLR to Anton Bauer adapter (X2) Plates. Extended Length 25mm Carbon Fiber Vertical Cage Rods (allows for a full studio build camera to go in the cage with the handle on it). The original cage rods are also included. Various P Tap power cables also included. Movi XL to NODO Inertia Wheels/Alpha Wheels Wireless Receiver Comm cables (X2) included. And many extras not listed here. No batteries are included in this sale as i use them (TB50) for my other remote heads and they are difficult to ship without carrier issues. A small sample of recent projects this Movi XL package has been used on include: Green Book. Anne Rice’s Mayfair Witches. On Becoming A God In Central Florida. Queen Sugar. NCIS: New Orleans. Crater. Filthy Rich. The Movi XL has a 50 pound camera payload and with the Fiber Optic Gyro is exceptional at stabilizing under all conditions and is immune from temperature changes or G Force. This entire package has been exceptionally well cared for and maintained. It has never been sub rented. It goes out only on my jobs. I purchased every item listed here brand new. Total to purchase everything listed new would be more than $61,000 US. Selling everything listed plus many useful extras: $51,000 US. Available Now. Expand your business. Start earning rentals now. Add A Flowcine Tranquilizer (complete with all available polymers and passive weight plates). Also comes with Shore 70 Pan Barrels. Mitchell Female Mount. Mitchell Male Mount. Overslung Mod with polymers and air bladder. Total to purchase new would be over $3000. Purchase with Movi XL Package: $1500. Purchase Separately: $1900. Serious only please. Please don’t email if you don’t have the funds available to purchase. I am also not splitting up the package at this time (other than the Tranquilizer) so please don’t ask. Use email address below to get to me quicker as i don’t check here that often. All gear is located in New Orleans, Louisiana area. Buyer is responsible for shipping costs and any insurance needed and optimally should have their own shipping account available(Fedex, UPS, DHL, etc). Email for additional photos and for further questions/details. Local pickup/Inspection is also available working around my current shooting schedule. Grayson Grant Austin, SOC graysonaustin@me.com

Hi Gus,

For sale is the ONLY 87ft Strada Crane ever manufactured. Usually this model Strada Crane is 85ft. This crane has been used on James Cameron’s Titanic, Michael Bay’s Pearl Harbor just to name a notable few. Also countless television productions, events and specials such as all of the X-Games and U.S. Open. If you haven’t been convinced yet, this crane is HUGE! The total crane weight is 5,500 pounds, the base of the crane is 6’ by 8’ and rides on 4 tires, and the crane is transported in its own trailer. The crane has multiple length configurations to meet the need of the shot. An arm length of 40ft gives you a lens height of 35ft. A 47ft arm has a 42ft lens height. A 54ft arm has a 49ft lens height. A 60ft arm has a 55ft lens height. A 74ft arm has a 64ft lens height. Lastly, an arm length of 87ft will give you a whopping 75ft lens height. Over 7 stories of camera movement available! With that amount of versatility, some extra space will be needed for operating the crane. From 40ft to 60ft arm lengths, the operator will need a 15ft by 20ft area, and from 74ft to 87ft arm lengths, the operator will need an area of 20ft by 30ft. A crane this large provides a nose load of 150 pounds. That allows for a lot of options when choosing a remote head and camera configuration to fly. I am asking $85,000 for everything. This includes the crane, weights, cabling, and trailer. Located in Los Angeles. Local pickup is required, as it all fits in its trailer. A few additional notes: This was Rick Johnsons personal crane, it has several features that none of the other Strata cranes have. Only arm with 9ft tail option up to 60 ft, as opposed to regular 12ft tail. Crane base can be completely disassembled and "packed in". The weight bucket is mechanized which allows for it to stay preloaded with thousands of pounds and adjusts forward and aft for balance. I know this is the Steadicam forum, but i figured I may as well try listing this crane on here for exposure. If you know of anyone that might be interested in this, please direct them to this posting!

Sold

Hey Herman. An old thread but here is the gimbal taken apart. There are 2 pressure rings. 1 outer and 1 inner. Take a precision flat head screwdriver and get under the exposed end with the lip. gently slide the head around the circumference of the sleeve. It will easily pop off. Now the sleeve will come out. Just use finger pressure and wiggle back and forth. The ring holding the bearing is done in the same way. The bearing will come out the same way as well. While this is the way to get to the bearing it not to be done over and over as the rings will lose their tension over time. Putting it back together is just as easy. Just press the ring around the sleeve starting with the squared end in the channel and it will go into place. Same with the bearing. If you need to replace the bearing they are readily available online.

selling new X-Bone Set. for Exo Vest

SOLD!

Selling my 'Ready to Shoot' Tiffen M2 Volt, G70x Arm, Flowcine XSpine Vest package. Great for anyone looking to upgrade from a beginners sled and looking for a full package that's ready to go. Kit is 'Like New', never been on set and only rigged up a handful of times. Purchased at retail cost, sales tax already paid. My loss, your gain. Can ship in the US at buyers expense. See spreadsheet in the folder for all components, accessories and more photos: https://drive.google.com/drive/folders/1HKLnjR7foDu2EgYltWZ2tKJlJtHQPiA-?usp=sharing

Selling Preston Single channel hand set with 8 rings and 3 generic FM50 batteries. Asking $3200.00. Prefer US buyers. Will ship via US Post priority service.

4500€, its collecting dust, great back up rig or to start with.

I thought I’d take a moment to share little bit of history which might be fun. Scrounging through some really old photographs I came across a couple of beauties dating back to around 1989. As aged as they appear, they indicate a counterculture that was taking root as Cinema Products struggled to understand the needs of the Steadicam Operator. While still living in South Africa, I met some aeronautical engineers whose day job was designing the Heads Up Display for the Rooivalk Attack Helicopter. As the technologies that applied to Steadicam covered some common ground, it seemed like a good place to start. I explained some of the quirks that we endure with the Steadicam, particularly its desire to depart perfect level when in the hands of a faltering and inadequate operator. As a member of that club, I pitched the idea of a cradle coupled with level sensors and a stepper motor that would take away our pain. It took a few months and these photos are the only evidence of what we came up with. It was a rough prototype but mechanically it worked pretty well as long as I kept the post travelling from left to right. The hitch in the giddy-up was the processing speed along with the level sensors of the time. As a concept it was limited, but the best sensor of that era, which might have improved our chances and which were probably only the equivalent of the sensor that was put in the very first iPhone, would have cost us around $18,000. If I remember correctly, it worked on the basis of a harmonic or acoustic signal that would distort as it departed level. After playing with the prototype for a while, it was clear that we had a long way to go. When I arrived in the USA and got into similar discussions with George Paddock, the challenge seemed more achievable. We were sadly humbled as we endured however. It is one thing to produce a rough prototype, but to consider putting it out to the world is another thing completely. Over the years we tried three times to launch the project but each time we encountered another problem and I have to say that the cash required was somewhat daunting. In a strange way, I was divided between the elegance and exclusiveness that lived within the Steadicam, while at the same time trying to create what amounted to be both a shortcut and a crutch. One of our attempts was in the era of Lynn Nicholson’s development of the Alien, and with the amount of money he had already invested, we felt that it would be underhand and deceptive to proceed with a vaguely similar concept. A group of us had been invited to a private demonstration of the Alien in a motel room near Universal and essentially Lynn demonstrated that he had solved the challenge of Camera Orientation according to planet earth. As the years past and the dust settled, we took one more stab at it and agreed to call it a day. It started to feel like we were in conflict our initial intention of keeping the PRO simple, clean and beautiful. I kept these two photographs which I carried with me when I settled in the USA on the off chance then I would find myself in a complicated conversation regarding the origination of the idea and the tricky issue of “Prior Art”. That may have been astute but as the years passed it became redundant. I'm also including in this collection a particular design that George and I approached along the way. We came to the conclusion that the arc of the leveling system actually needed to run in the inverse of what was conventional. When we mounted a camera and wore the Steadicam, we fully understood in about 2 seconds the concept of a mechanical system that has become un- coupled. That has to be one of my strangest Steadicam sensations I’ve ever felt, and thousands of dollars lay at our feet. It was with a certain amount of whimsy that I watched Chris Betz so elegantly achieve what had eluded myself and George for so long. It is one thing to tinker with prototypes, but to bring a product as complicated as the WAVE to a fickle and demanding market is a sign of incredible perseverance and fortitude. When George and I ran out of gas, others were better equipped to embrace the emerging technologies. What may have been telling, is that throughout the years we never came up with a name for it. The future is now saturated with camera stabilization that we couldn’t even imagine back in the 80’s and 90’s. Ironically, no matter how much technology is brought to bear, the best results still emerge from a neutrally balanced system and Garrett’s fingerprints can be found throughout.

You guys are all NERDS lol.

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