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Showing content with the highest reputation since 11/08/12 in all areas

  1. 8 points
    This is the original forum for discussing steadicam. The Facebook group is a cascade of posts. It is easier to find and reference archived information here which makes this a better place for any info to be posted. If you have info, it would be great to post it here for all to be able to read, see, etc instead of directing someone to go to yet another place. Not everyone has time to scroll through countless posts on a Facebook page just to find a bit of info on a new piece of gear. Grayson Grant Austin, SOC
  2. 5 points
  3. 5 points
    Hello Tomasso, The quick answer to your question is - "it depends". For most full-sized rigs (I.E. M1, Ultra2, XCS Ultimate, GPI PRO, MK-V, etc...) the sled is not sold with a specific weight limit, or is sold with a weight limit that exceeds the weight limit of arms on the market. This is not always very helpful, as some sleds are built more rigidly than others, and will cope with heavier weights better than others. In real terms, I'd expect any sled in this class to be able to support 40-50 pounds of camera payload (though some will support much more, and some may support this in a less than optimal way). With smaller rigs, sleds are often built down to a specific size, weight, or cost level, and may not be capable of supporting the heaviest of loads. The Archer2 is a prime example of this. The post diameter is smaller (although not much), the stage is smaller and uses a smaller size dovetail, and the gimbal, most importantly, is designed to be small and lightweight. The combination of these factors mean that if you overload the suggested payload of the Archer 2, you will almost certainly get vibration in your shots, and there have been many people who have broken their gimbals (I have known at least one personally), either dropping the camera and causing damage, or at least taking their sleds out of commission for some time while they are serviced. For an even more extreme example, a lot of Zephyr owners found that even though their rigs were rated for 24 pounds of camera, they could put over 30 pounds of camera on it before the arm started sagging, and did so. Later many of these same owners had to send their rigs back to Tiffen for new bearings and new gimbal parts, as they had destroyed their gimbals. For each rig, and each manufacturer, things may be different. For instance, with Tiffen's smallest rigs, the "payload" designation often refers to everything you add to the sled - batteries, camera, focus units, etc..., and sometimes even just refers to the weight carrying capacity of the arm. So the Aero 30 doesn't support a 30 pound camera, but has a 30 pound capacity arm. The Archer's weight limit is likely in the sled more than the G50 arm, as the sled doesn't weigh 20 pounds (the G50 arm supporting 50 pounds, and the Archer2 saying its payload is about 30 pounds). The Shadow is basically a full-sized rig, so I would trust reasonably heavy camera packages on it. Another issue to consider when weighing which rig to buy, although harder to tell via pictures and spec sheets, is how the weight of a sled is distributed. For instance, my M1 is a heavier sled than an Archer is, and so for the same camera payload, and number of batteries, my M1 will not be extended as far as the Archer would be. Post extension, especially at really long lengths, is one of the main causes of camera vibrations (which are a big, big issue, and have gotten many operators fired, including myself!). So if you are flying heavy camera packages every day, getting the biggest, beefiest rig you can makes sense, so that you're flying it within its comfort zone, rather than flying a lighter rig at the end of its useful range. I hope this helps in your selection!
  4. 4 points
    A little personal story that I would like to share. Back in 2012 I started having some right knee problems. My right knee had had issues since I was 15 y.o. as I had a skiing accident and I blew my ACL, nevertheless it never got reconstructed. It all started as pain and slowly I started losing strength on my knee. I was in the middle of shooting a long series so you can imagine the struggle I was going through. The situation kept getting worse and worse. I had made plans so see and specialist but in the Canadian health care system you have to wait for your turn so I was doing due diligence. I began to fear for my job. We still had a few episodes to shoot on my show and my situation was getting worse and worse. Half of my energy was directed towards not letting it show on set. The last thing you want is you Steadi guy to be limping around. I crawled towards the end of the show and finished it. By then, I was a disaster, things like going downstairs or getting out of the car were a huge struggle for me, not alone flying the rig, go figure. I finally meet the orthopedist and the prognosis was a lot worse that my nightmares, I had severe osteoarthritis on my right knee and the only solution was to go for a full knee replacement. Having had blown my ACL at 15 and living through really crappy healthcare (another story for another time) lead to extreme wear and tear of the cartilage on my right knee. I had a long chat with the specialist and he said that I could go for the knee replacement right away back in 2012 but he would recommend (due to my age at the time) that I would wait as long as I could. That the replacement was not a permanent solution and that I could get better with physiotherapy while postponing the knee replacement. My whole world just collapsed, at the end of the day making a living as a camera/Steadicam operator and to make things worse I’m a very passionate downhill skier. My livelihood and my hobby were all of a sudden going down the drain. Needless to say I went into a downwards spiral and I had no idea about where to move to. I was panicking. I started doing physio and spending very long hours at the gym trying to get out of that mess. It was indeed a very slow process. The biggest question on my head was weather I was going to be able to continue doing Steadi on the short term and more importantly weather I was going to be able to do it after having a full knee replacement done. I had nobody to ask to. I asked my doctor, I tried to explain in detail what we do and what it implies and he said than he thought it would be OK. I asked my physiotherapist, I tried to explain in detail what we do and what it implies and he said than he thought it would be OK. But at the end of the day what we do it very hard to explain to a “regular” folk, so I asked myself, “who knows the most Steadicam operators on this planet?” Garrett! I reached out to Garrett hoping he would know a Steadi op that had had a full knee replacement so I could contact him and get some light on this dark hour. I remember his answer very well “ I don’t and if I do probably he/she is hiding it is because of the same reason you are “. Wow! He blew my mind but he was so right, last thing we want is people thinking we can’t do our job. Especially when it is so physically demanding. Time passed and I was fully committed to get ahead and go back to set and to the slopes. It was not easy, it was exactly the opposite of it, it was hard, slow and really annoying but I got there. About 6 months after that I was back on my feet flying the right and skiing. I managed not only to get my strength back but to be pain free. I never took anything more than over the counter Advil for pain. Life went on for 6 years, I was pain free and I kept working and skiing. I had to meet with my surgeon once a year just to make sure everything was still OK. You have to remember that I still needed to get my knee replaced, I was just buying time before the big surgery. Then 2018 came, I had my yearly visit with the doctor and he asked me “how are you doing, can you go for another year without the surgery?”, I just said yes, everything was great. But this time instead of him saying “that’s great, see you in a year” he mentioned that I should not wait for the replacement for too much longer. My cartilage was completely worn out on the right side of the knee and I was bone on bone. Even when I was functional and pain free waiting for too much longer would compromise the replacement efficiency so we went ahead and scheduled the surgery for January 2019. Needless to say I was petrified, I did not what to expect. In 6 years nobody could tell me weather the implant was going to be good enough so I could get back to work as a Steadi op but I had to go ahead with it. I Went into the operating room, things went well and the surgery was a success, now it was time for a very long and very, very, VERY painful recovery, at the end of the day they cut the two biggest bones of your body to place the implant so you can imagine the level of pain. I did my physio and slowly I went back to work, not doing Steadi but operating on a very nice show that I have being doing for a few seasons. Eventually, about 5 months after the surgery I took my first Steadi day, things went actually pretty well. That cloud that was roaming over me for several years was finally dissipating, I could fly the rig with a full Knee replacement!!! Things were not as smooth after that but I don’t want to bore you with details, suming up my implant got infected and I had to have a second surgery and thankfully we won the battle against the bacteria. They say is only a 0.04% chance of these implants to get infected, well… I should have had bought a lottery ticket. I contacted Garrett again to report about the progress of this story and he suggested that I would share my story on the forum so here I am. Sharing it so other operators with similar struggles could reach out. No longer I fear people thinking I can’t do My job. I just did a 2 pages and change oner on my current show (Amazon’s American Gods), 15 takes and not for a second I had to think about my knee, I think that qualifies as trial under fire. Now my story is out in the open, if any of you need somebody to approach about this sort of heath issues I would be more than happy to help
  5. 4 points
    A suggestion - Greek out everything already showing on the vest and then don't add anything to attract more attention to yourself.
  6. 4 points
    My list of features on the M2 follows - Alas, the final specs for weight and min and max lengths, and of course, the pricing, are not done. Some post-NAB tweaks are in the works, and I believe Tiffen will announce it all officially by CineGear, if not sooner. M2 highlights Overall Lightweight, stiff, modular, 12/24v + 3rdbattery, integral Volt electronics, Volt ready gimbal, +/– tilt head, 3x HDSDI lines. G-50X companion sled. Modularity Stage, base, and posts are fully interchangeable with M1 components, both mechanically and electronically. Stage features Very low profile Large size, longer dovetail plate, updated hole pattern Tool-free dovetail plate lock and release, identical to M1 Integral Volt “brain” electronics inside stage (optional feature) 3x HDSDI ports, 2x Lemo power ports, tally connector, 2x P-taps +/– 10 degree tilt head Post systems Standard 2 post system Shorter 2 post system Also available with M1’s 2 and 3-stage post systems Gimbal High precision bearings Volt ready Integrated Volt encoder ring Tool-free post clamp Handle for .500, .625, or .740 arm posts Monitor mount to center post Tool-free, solid design Clamp lever for height adjustment Inserts for different post sizes 15mm rods on 60mm centers Monitor Universal monitor mount Choice of many monitors Base 3x HDSDI connectors 2x Power port Monitor port Low profile Integral 3rdbattery mount (optional) Dovetail base (optional) Cheeseplate base (optional) Battery mount 2x IDX or AB (IDX mount now with battery release protectors) Switchable 12/24 volts 3rd battery on/off switch 12 volt P-taps on each battery USB power tap
  7. 4 points
    They are Klixon breakers, available from Aircraft Spruce, an aircraft parts supplier. They’re not cheap, but here they are. I’ve also gotten them from Peerless Electronics. https://m.aircraftspruce.com/catalog/elpages/klixon7277.php?gclid=EAIaIQobChMIitPVhbb93wIViorICh0fXQBIEAQYAiABEgIy2vD_BwE I’ve used the 7277-2-# series, where that last number is the ampacity.
  8. 4 points
    What an outstanding shot .Here is a BTS and Peter talking about the shot .Enjoy
  9. 4 points
    Hi everyone Here is a interview with Larry McConkey talking about the Copa shot enjoy Louis Puli Goodfellas BTS copy 2.pdf
  10. 3 points
    Selling my G70X Arm. Located in Denmark. Includes bag and rain covers. €7660 / $8500
  11. 3 points
  12. 3 points
    I was doing the on-line LA times crossword puzzle today and clue 35-down was "Stabilizer for movie shooters". When you start showing up in crossword puzzles you've officially made it.
  13. 3 points
    I've been holding off on saying much, as I know many who've gone the Volt route who I don't want to discourage, but I've had a very different experience than many with the Volt and the Wave. My experience with the Volt was that while it did offer some immediate advantages over the Wave (like its size and weight, and also the added bonus of having a rig that is neutrally balanced and thus can be moved around without any pendulum effects), it significantly changed my operating, and not for the better. I do a lot of tilting in my operating (something I wasn't aware of until I switched to the Volt), and the M1V electronics altered the way tilt felt, which required a lot of retraining, and additionally, I always saw a little pan wobble at the beginning and ends of tilts, no matter how much I turned the tilt strength down. There was also the issue (that I'm hoping eventually gets fixed) of the M1V tilting on a diagonal, and not in a straight vertical line, amongst a few other things that I found over my year and a half with the device. The work I did with the Volt was simply not as clean or good as the work I could do with the Wave, so I have since moved back to the Wave and sold my Volt. I urge each operator who is moving towards any augmented stabilization technology to try using both (and make sure they are both set up correctly, as many do not balance the Wave correctly), and see what they prefer, and most importantly, to analyze the footage critically.

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