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Hey gang! After having countless discussions on set about how to train for what we do, I decided to put together an article which outlines in detail; how to train and condition our bodies for the demands we face on set as Camera and Steadicam Operators! Please take a moment to check it out. Share it with fellow Ops! https://www.daviddesiocinematography.com/blog

Selling my back up X1 arm, hasn't been used and have decided to move it on. 9000USD or best offer. Don't wait and get a brand new arm without the wait. Comes in a custom case with lowmode bracket. Can ship worldwide at buyers expense. Arm located in Australia

Selling my Betz Wave, only reason is because I have 2 of them! I absolutely love these things. this one is coming straight back from Germany from service so it’s gonna be in tip top shape. comes with a pelican case i don’t have an extra betz plate but I believe they’re probably easy to order. asking 5500$

Good morning. The Zalex group of accessories started in 1992 with the prototype of a Broadcast video camera low-mode plate. First tested at the Steadicam Workshops in Rockport, Maine, it showed great promise and inspired efforts to make bits that serve my needs. Since that first effort, parts have emerged such as an overhauled Model I/II/III/IIIA Vest, drop-forged steel docking bracket for older sleds, the Longplate, LensLift lens support system, Tally Light Kit, Arm Repo Mount and other items. The full complement of Zalex accessories can be found at our website: https://www.zalex-products.com We’re pleased to share that we have just taken delivery of another 60 Longplates. The Zalex Longplate fits all stages from all manufacturers. There are currently over 350 Longplates in use worldwide. This is the longest, thickest and therefore most rigid, dovetail plate available. Some of the benefits of flying with the Longplate include: º Comes with hardware that allows an Alex/ Amira/ Venice/ Sony camera to be mounted directly to the plate. Stop using a VCT-type of plate and mount right to the Longplate. º Slotted to allow for mounting of 15mm rod clamps for follow-focus, Talent Monitors, lights and other accessories. º Pairs well with the LensLift support system. º Notched for the safety bolt used by some models of GPI/PRO, XCS and Sachtler/ Artemis sleds. º Fully slotted for 3/8-16 lockdown screws, the Longplate kit includes adaptors that allow for ¼-20 screw use as well. º Readily locks into a tripod adaptor to save time on sled-to-sticks turnaround. In addition to the Longplate, the Longplate-M fits the Tiffen Medium Stage sleds. These includes the Archer 2, Zephyr and Scout. Email me for pricing and shipping information at: peter@steadicamproductionservices.com Fly safe !! Peter Abraham, S.O.C.

Selling my extra LX vest with large socket block. QC’d by Tiffen and pads fully hand washed in March. No tears or defects. Comes with carrying bag. In great shape. $1,700 shipped. (*US ground shipping or I'll take off $50 for international buyers; buyer pays shipping)

Betz Wave For Sale Excellent condition. Comes with - 1x Tripodlokplate by Betz-Tools 1x power cable 1x Dovetailplate by Betz-Tools 1x Travel Case USD$6000 include shipping (Exclude insurance, tax and bank charges) Located in Singapore Interested Kindly PM to discuss

New style M2 SledCover Waterproof Lightweight Material Zipper Front for easy installation. WrapSnap closure around post Cable inlets Leg room for bigger batteries Can also be built for slim battery setups Rear battery access YKK Zipper System BongoTies / Pouch $265

I´m based in Chile, and wanted to invest 37.5K open to offers. thanks in advance to everyone.

Received an email from Daniel Crawford, interested in selling me his gyros. he sent me stock images, and stock videos that don’t belong to him , a Google voice number. He said he was a steadicam operator and was unable to tell me what rig he owned. Didn’t know what the 600 was and a few other red flags. Buyers beware.

Sorry to hear that, John. I've just banned the Richard Armstrong account.

This XCS HD2 Sled along with a brand new Walter Klassen harness-vest was purchased with the intent of assembling a high quality rig; regrettably a knee injury sidelined me before I could complete my mission. Mr. G Bubb of XTended Camera Support worked with me on the purchase and can be contacted for confirmation. I paid $42.5K for the gear, and Am looking to recoup as much of the money spent. Only serious buyers need reply. All respectful and reasonable offers will be considered and the best will will be accepted. Reach out and we can exchange private email info Respectfully, J R Renaud

GPI Titan Pro arm including 4 blue canisters for EURO 8800,- Arm is in excellent condition! Europe sales preferred - (Netherlands, Maastricht area) Included: - Bag with soft padding - J-Bracket for 5/8” post - Sachtler/Arri D-bracket for low-mode setup - Flowcine low mode grip handle - Allen keys for arm and canisters - GPI keys and spare kit for Titan Pro arm

I am selling a complete Steadicam kit with a LX Vest, G-50X Arm, and a heavily modified Archer Sled. Complete kit for $13,000 OBO. Available near Times Square in Manhattan NY. Everything is in good working condition, this is a great starter kit! - It is complete with all basic accessories. Major Components: -Steadicam LX Vest -G-50X Arm (Label says G50, but bearings were upgraded) -Heavily Modified Archer Sled (Internal HD Wiring, 12/24v Selector, Sled base is modified-see photos, adjustable battery position ) Accessories: -Tv Logic Monitor -4 IDX V-Mount Batteries -V-Mount 2-Battery Charger -Low Mode Bracket -F Bracket for Low Mode -Docking Bracket -Sony VCT Quick Release Plate -Assorted Cables and small Tools (see photos) -Assorted bolts, zip ties, replacement BNC connectors (see photos) -Practice Weight Cage -Two large cases that fit entire kit Feel free to message me with any inquiries!

Bump Betz Wave 1 - 5000 USD Small HD 503 - SOLD Eartec UL5S (1 Master headset 4 Remote Headset No Hub, 10 Batteries) SOLD Custom Easy XYZ 25KGs Vibration Iso w/Case (Tested but not used, still smells like the factory) 900 USD 6X DEAD Anton Bauer Dionic HCX, I’ll send them to THT for Recell if you want them, you pay for shipping and recell. 1x 4Bay AB Charger Not Simultaneous Charger 250$ 1x 2Bay AB Simultaneous Charger 200$ Open to all offers.

Pro II Sled, D-Box III, Pro Gimbal, TB6 Monitor w/ Decimator down-convertor, XCS digital level, Sled hard case docking bracket,Pro Titan Arm w/4 blacks & 4 blues, Pro Vest w/ bag AKS etc. AKS : 5 camera plates, back-up Center post cable, back-up Monitor cable, HD & Film camera power cables (Alexa 24v. Amira/Alexa mini 24v, Panaflex, Panaflex Alt pwr, Arri 12v, Arri 535, SR3, Panavision Genesis, Preston MDR II, misc. screws etc. Price : Pro II Sled w/ TB6 Monitor & Decimator, D-Box III, XCS Level, Pro docking bracket, camera plates, camera cables, extra post cable, Sled hard case = $9,000. US : Pro Titan Arm w/ 4 blacks & 4 Blue canisters arm case & arm tools + $16,000 US : Pro Vest & Vest bag : $3,300. US

Selling my Mk-v revolution. Extremely lightly used. Perfect working condition. Comes with pelican case, cables & tools. Has rotating monitor mount wired for M1 post. $20,000 USD plus shipping from Australia matt@steadimoves.com.au

Yo Clean! If you speak of the post that goes in the arm and gimbal handle I have never experienced any issues with Aluminum. So no need for me.

Considering that top stage is at least 32 years old, you might be better off buying either a Betz topstage or the DB3S (that optical support makes). Both have a rod mount option and will be more rigid than the diving board that you're trying to use. Even a well loved DB3 with the diving board will be less prone to vibration than the DB1. Consider too that the DB1 at this point I believe is unserviceable because the parts don't exist. Alternatively, you could have something machined that clamps to the post, but you lose space as far as how high you can move your gimbal to the upper jbox. Talk to Jarrett Morgan here in Atlanta. If you need something custom, he's your guy. Also flies with the volt and has made some volt brain components that he already makes.

I can help you out, going to PM

Hi all; I've got a new vendor and all stocked up again with plates. I've even got a couple of new holes in the edges so that you can configure the posts in many ways, rather than just the four corners. I've got some good pricing, probably a bit better deal. Pictures to follow. Janice Have a wonderful 2024 after an horrendous 2023.

Greetings to everyone, For those of you who may be considering upgrading their Sled to HD we currently have several HD-SDI Wiring Harnesses/Looms available, which are purpose-built for 1 ½” inch Centre Posts. The Specs are as follows: ----------------------------------------------------------------------------------------------------------------- DESIGN FEATURES AND SPECIFICATIONS ------------------------------------------------------------- The cord consists of a coiled section with a straight tail on either end of it. Each straight tail is approximately 1 metre/39 inches long. The extra length in the tail gives the operator two options: The electrics person can cut off the extra length, strip off the outer sheath, and use the inner wires for the internals of the upper and lower junction boxes. This provides consistency throughout the wiring on the rig, with no need to spend time sourcing materials elsewhere. There is sufficient length to enable the cord to be installed into a Super Post. SPECS 4 cores, 18 AWG (red, black, green, white) 2 cores, 26 AWG (red, black) 4 cores, 28 AWG (red, black, blue, yellow) 1x RG 179 75-ohm mini coax (for HD-SDI) Wire configuration/order matches that of the industry standard Outer jacket colour: Black OD of the cord to suit standard Lemo plug OD of the coil to suit the inner diameter of 1 ½” inch centre post In addition, the wire is configured the same throughout the cable, resulting in a mirror image no matter where it is cut. This will make your electrics technician very happy. We have several in stock, and they are available through our Website. HD-SDI Wiring Harness/Looms for 1 ½” inch Centre Posts Upgrade - Steadyrig

NEW PRICE: $4,000usd + shipping Or Best Offer. Good starting/backup rig. If interested, please email me at steadirig@gmail.com

Good morning, There are times when we show up on set and the lens support for our lens isn't in the kit. Or it's in use on A camera. Now the LensLift can be put into play to solve this problem. It's a bit of kit I've always wanted and after seeing some Longplate builds that made use of such on-set fixes and piles of washers and wooden dolly wedges, it appeared time to come up with a bespoke solution. LensLift fits both into the Longplate as well as mounting into any 15mm rod setups already on the camera body. Email me to discuss both pricing and worldwide shipping. ( Camera & Lens used courtesy of Panavision NYC ) ( Lens build courtesy of Arri Rentals NYC )

Hi Alex. Is the rig still for sale? Thanks Martin

I have had no issues. I made a right angle DC cable to lemo that is just a couple inches long, and have a backup. Works great.

Selling a Flowcine XR3ach in new condition. Great bit of kit but no longer required. Photos attached. Buyer pays shipping. Australia based. 6k USD

Hello gang, i see i overpriced these a tad, New Price - $2750.00 .....thx

I'm sorry the vest didn't work for you - let me know if you need any help in re-selling the vest.

This is a great deal!

It's time to part with my Zephyr. This rig has served me well but I have since upgraded and do not need it around anymore. The rig is in great condition and I've added some nice pieces to the kit over the years. Price: $7,000 OBO + buyer pays shipping Rig is located in Seattle. Local pickup preferred of course, but I'm happy to ship within the US. It all fits in one Thermodyne case quite neatly. SLED: Steadicam Zephyr sled (AB mount) - Digital Horizon Leveler for the Marshall monitor. This thing is very handy and helps keep the horizons on point for both the x and y. They do not make these anymore and this is the only leveler I've ever seen of this type. - Larger Skymagic Gimbal wrap - Skymagic monitor yoke, easier to manipulate than the original (but will include the original bracket as well) - Steadicam dovetail ARM: Steadicam Zephyr Arm - Payload of 30 lbs, I've flown Amira, Alexa mini, RED, Canon, Sony on this sled with no problems. I never pushed the arm to it's limit VEST: Zephyr vest - Comfortable vest! EXTRAS: - (2x) 4 pin xlr to 3 pin lemo camera power (1 short, 1 longer) - Alexa power cable to lemo - RED power cable to lemo - lemo to d-tap breakout - Low mode monitor bracket - Walter Klassen Hardmount bracket for Zephyr (just need doughty clamp to rig to a rickshaw or speedrail) - Cam Jam low mode monitor bracket Please don't hesitate to reach out with any questions.

Selling an Ultra2 in great condition, well taken care off. Minor cosmetic damage. I bought this rig 2 years ago and was very happy with it but the time has come to upgrade. Make me an offer! The SDI line has cut out occasionally, but never enough for me to go and fix it. Hasn't let me down on set so far. In the package: Tiffen Ultra 2 Sled Model 800-0000- 14 with Gold Mount Battery Plates Transvideo Cinemonitor 9" HD8 3rd Battery Plate + Accessories Hill Docking Bracket 1 x 3 Pin Lemo to XLR Cable Blue Whale Tool Original Thermodyne case Tiffen Nosebox Bracket Practice cage, arm, stand, batteries, etc not included. Just the sled and monitor . 800-7910_1_1024x1024.webp

https://catgriller.com/shop/sony-v-mount-schnapp-platte/

Hello everyone. Looking to sell my entire steadicam package. Deep dove into steadicam about a year ago and picked all this up. Unfortunately, recently, I suffered a medical setback that's going to prevent me from doing steadicam for the foreseeable future so it's time to find it all a new home. Perfect for the person looking to get into a comprehensive system top to bottom. I'm willing to entertain breaking it up into pieces but would definitely prefer to keep it all together as one package. The gear itself is in pristine condition, I'm pretty meticulous with my equipment. I've attached photos as well as a breakdown list of everything that's included in the kit. All in value wise I spent ~$69,000 (nice) on the package. Prices have come up a bit since then but willing to sell the whole thing for $58,000. I highly encourage anyone who is interested in it to come and try it out first. If you have any questions for me, please don't hesitate to reach out. I'm based in Los Angeles, would prefer a regional sale but will ship for the right buyer/arrangement. Key item highlights - Tiffen M2 Sled with Volt - Flowcine Xarm - GPI Pro Vest - SmallHD 703 and 503 (low mode) monitors - Yaeger Pro Cart - American Stand with Wheels - CineLevel - 6 Battery Gold Mount set + 1 slim (optional) for back of monitor - Multitude of Sled->Power cable options - Lots of accessories - Practice Cage

Heavily Modified Movi XL With Fiber Optic Gyro, Ignite-Digi TB50 Battery Adapter, Power Block, Brutal R&D Slipring And Tons Of Accessories For Sale: Please Read Entire Listing Carefully Before Contacting Me. For sale is an excellent condition Movi XL package. An incredibly complete Feature Film, Series, Commercial ready package in excellent condition and perfect working order with all needed accessories and cables including flight/travel case. Package Includes: Movi XL 3 Axis Stabilized Remote Head With Optical Gyro And Flight Case. Brutal R&D Full Slipring system for power and video (brand new/unused) with two remote power cables (new/unused). Complete Mimic system w/ Atomos Shogun Flame High Bright Monitor, Camera Cage With Handlebars and Anton Bauer Battery Plate, Mini Sliding Dovetail (to attach Mimic system to your favorite Fluid Head or Geared Head with an Arri Sliding Dovetail Plate), Mimic Quick Release, Antennas (short and long) and Charging/Power Cable. Arri Style Camera Plate (19mm studio). XL Dovetail Plate. XL Lens Support. XL Rod Support. 19mm Carbon Lens Support Rods (various lengths. X3 sets). Pop and lock 50mm. Movi XL Chargers (2). Movi XL Wiring Harness spare. Quick Release Kit. Movi XL to Mitchell Mount. Custom Easy 90 Degree Mitchell Male to Mitchell Female (For Nose Mounting Of The XL. New/Unused). Ignite Digi TB50 adapter and power block (original Movi XL battery plates included as well). The Power Block is new/unused). Ignite Digi power cables (2) for Alexa Mini, Mini LF and Alexa 35 (New/Unused). Ignite Digi 12 volt camera power cables (2) to universal 4 pin XLR. 4 Pin XLR to Anton Bauer adapter (X2) Plates. Extended Length 25mm Carbon Fiber Vertical Cage Rods (allows for a full studio build camera to go in the cage with the handle on it). The original cage rods are also included. Various P Tap power cables also included. Movi XL to NODO Inertia Wheels/Alpha Wheels Wireless Receiver Comm cables (X2) included. And many extras not listed here. No batteries are included in this sale as i use them (TB50) for my other remote heads and they are difficult to ship without carrier issues. A small sample of recent projects this Movi XL package has been used on include: Green Book. Anne Rice’s Mayfair Witches. On Becoming A God In Central Florida. Queen Sugar. NCIS: New Orleans. Crater. Filthy Rich. The Movi XL has a 50 pound camera payload and with the Fiber Optic Gyro is exceptional at stabilizing under all conditions and is immune from temperature changes or G Force. This entire package has been exceptionally well cared for and maintained. It has never been sub rented. It goes out only on my jobs. I purchased every item listed here brand new. Total to purchase everything listed new would be more than $61,000 US. Selling everything listed plus many useful extras: $51,000 US. Available Now. Expand your business. Start earning rentals now. Add A Flowcine Tranquilizer (complete with all available polymers and passive weight plates). Also comes with Shore 70 Pan Barrels. Mitchell Female Mount. Mitchell Male Mount. Overslung Mod with polymers and air bladder. Total to purchase new would be over $3000. Purchase with Movi XL Package: $1500. Purchase Separately: $1900. Serious only please. Please don’t email if you don’t have the funds available to purchase. I am also not splitting up the package at this time (other than the Tranquilizer) so please don’t ask. Use email address below to get to me quicker as i don’t check here that often. All gear is located in New Orleans, Louisiana area. Buyer is responsible for shipping costs and any insurance needed and optimally should have their own shipping account available(Fedex, UPS, DHL, etc). Email for additional photos and for further questions/details. Local pickup/Inspection is also available working around my current shooting schedule. Grayson Grant Austin, SOC graysonaustin@me.com

5500 USD or best offer. Thanks

if the monitor and battery c.g.'s are on the same plane, the camera c.g. should be centered over the main post, and the batteries and monitor shifted (or weight added) to get in static balance. Be sure the c.g's of all the components are on the same plane - that is all lined up as seen from the rear or front. Don't pan fast when testing, and don't get too stressed out about perfect dynamic balance. If the monitor is raised up from the battery c.g., then the camera will move rearwards, and the battery inwards to achieve dynamic balance. A higher monitor is better for viewing, and tends to promote better posture - no leaning over to see the image!

Hi All, Selling the following items. PayPal welcomed, buyers pay shipping and PayPal fees. Betz Tools Universal Monitorbracket with 15mm rods, Frame/Yoke for Transvideo Monitor HD8“ for 2“ post https://www.betz-tools.com/en/accessories/monitorbracket-105.php Brand New 1385 Euro - Never used on set, just tested. Didn't follow through with a HD8 Purchase Pristine Condition - USD$1100 Betz Tools Universal Dovetailplate UDP (27 cm/ 10.6“) https://www.betz-tools.com/en/universal-dovetailplate-steadicam.php Brand New 195 Euro - The anodizing was like that when I received it but does not affect performance. Used but in Good Condition - USD$150 (or trade for the Short Betz Camera Plate that comes with the Wave) XCS LT3 Sliding Camera Plate Brand New $700 - Pairs with the Wave very well as it is slightly taller than most plates and has side to side adjust Used but in Great Condition (Camera screw scratches as pictured) - USD$500 PRO Misc Parts - Pro 2 Upper Electronics/ Pro 1 Bottom Electronics Was going to build a project sled but giving that up now Used and Good Condition - USD$200 OBO PRO Vest Parts Switched my vest to Goofy and have these parts leftover (Size 38) Used and Ok condition - USD$150 OBO Anton Bauer Gold Mount Plate Not sure what the model is but it works perfect Used and Great Condition - USD$50

Bryan Amazing work... Check it out ..just for some ideas. (ex. Gimbal Wrap Grip) https://www.flickr.com/photos/jamielincs/sets/72157645642636192/

How about these: Foam Grip Tubing Handle Grip for Fitness, Tools Handle Support

selling new X-Bone Set. for Exo Vest

SOLD!

Found mine a couple weeks ago. Battery died at an amusing moment. Thought today would be a good day to post.

Selling my Upgraded Archer Volt sled. Originally an Archer 1, but now basically an Archer 2 after all the lower part was replaced by the Hofman workshop, and the gimbal is an Archer 2 two years old gimbal that was bought with the Volt. Comes with an original hard case, a docking bracket, a low mode bracket and Volt cables. Asking 16k usd plus shipping Located in israel Feel free to email me for more photos and questions Dhanit@bezeqint.net

Part of the job of an operator is knowing which tool is the right tool for the shot. In this case, steadicam is probably not the right tool. If they insist, try your best, but manage expectations.

This is my personal technique for making whip pans. I’m sharing here in hopes that it might help a newer operator who is looking to improve their whip pans during this quarantine.

Deke, While it is true that it’s now easier to reload the camera when right side up, I can’t remember a job that I’ve done where people don’t want to look at a frame before I put on the rig. Whether for lighting, or set dressing, or HMU and Wardrobe, someone always wants to look at a frame, and generally they want an approximation go what the frame actually will be (I.E. it doesn’t help the DP much in setting lights if the camera is about to be 3 feet lower than it is on the stand!). So I dock in low mode. It also helps me to have as little time flying the rig as possible. When I pick up the rig, it’s in the right orientation, pointed at the set, and I dock in a direction (lens to the right, contrary to what is taught at most workshops) that means that the rig is ready to fly the moment it comes off the dock. No flipping the rig, no spinning it around my body, no delays. With heavier cameras I’ll enforce this even more (such as when I did a music video on Primo Anamorphic lenses recently... 17 pounds for the 50mm) - we roll and slate on the stand, and I pick it up once everyone is ready to go, not before Vanities run in for a moment of touch up or before the artist puts away their phone. Hopefully that clears up why I still dock in low mode, and still think that it’s a useful thing to do.

Hi everybody In light of a lot of sports/steadicam related discussions I figured, why not share my experience. As some of you may know, besides being a steadicam operator, I’ve been an avid competitive gymnast for over 23 years. I just wanted to take the time to write up a small article about gymnastics and the steadicam life and how I feel the two have influenced each other over the past years. Comparing the two has made sense to me since the day I picked up a rig. Like many athletes, gymnasts spend years practicing and developing skills before entering official compeition. The same goes for steadicam, in the beginning, one spends a lot of time developing the strength and insight into what makes a great operator on smaller projects before being able to work on a feature film or a tv-series. Both disciplines (cause let’s face it, steadicam doesn’t involve sitting around doing nothing) require a great deal of strength and stamina. For me personally the two have had tremendous benefits towards one another. Due to my sports background I was able to quickly adapt the musclememory needed to operate this wonderful machine, in return, the more jobs I keep getting, the stronger my legs and back get, making it possible for me to achieve new heights in gymnastics (literally). Though a lot of attention has to be directed towards correct posture, stretching, preventing exertion, both operating steadicam and gymnastics require a bit more than just the physical aspects. I’m talking about the gear, Jerry Holway once told me “Give a master violin player a second hand piece of wood with strings and he’ll be able to play a song, give the same person a Stradivarius and it becomes art”. A great operator can achieve the best shot in the world with the right type of gear, as for a gymnast, this is very similar. I’ve seen a world class gymnast fall of a highbar during an olympic event final, because the flex of the bar was just a little different, the chalk didn’t feel right and 4 years later, that same guy had all the right elements to make “Art” and he brought home the gold medal. I take care of my rig the same way I take care of all the pieces of apparatus in the gym and they both continue to deliver wonderful results. Last part I wanted to touch upon was the matter of safety. Running with a rig down a slippery rocky hill or throwing yourself 4 feet in the air over a solid steel bar, just because that’s what people expect from you can lead to one of two things. Either you get a standing ovation for a fantastic running shot/catching the bar, or you end up breaking your neck. The fact that the latter hasn’t happened to me is because my coaches have always demanded a safe training environement, which I held dear to my heart. I carried on this habit from the moment I first started operating, every running shot I do, every hardmount I rig, every single precarious situation I encounter on set, safety is always my number 1 concern. The main conclusion for me is that both disciplines have had major benefits towards each other and I can only recommend combining sports with operating steadicam. Any other (former) athletes on the forum? I’d love to hear your take on how steadicam may have improved your performances or how your choice of sport has helped out in your operating. Greetings Nils

Yeah, but then craft service brings around the fresh-baked chocolate chip cookies, and this theory quickly falls apart.

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