David Shawl SOC

Dana, I also have the Bartech & M1. Could you share how the problem was resolved in case we run into the same issue. Thanks

What size Backstage pneumatic wheels have people been getting? I think they have two sizes last time I checked.

Hi, Can anyone recommend a general physician in the LA area? I don't have a doctor here yet that I can visit for check ups. If they take Anthem Blue Cross, even better. Feel free to contact me via Private Message, thanks

That is great news Charles. I'm tired of relying on productions to rent (or forget to rent) a downconverter. Last weekend a rented AJA came with a busted power cable and no backup. My AC did a frantic on-the-spot rebuild with a knife and electrical tape as the AD panics with our nearing hard out of our location. It all worked out, but I'd like to avoid a disaster and grab one of these Redbyte Decimators for myself!

Maybe "Rescue Tape" will work? http://www.rescuetape.com

Bud, Try PRO directly (pro-gpi.com) or you might have luck with steadicamrentals.com

Thanks for the info Robert!

Is it possible to adapt a Shark Fin antenna to work with this? Also, does the monitor stay on the same channel even if powered down and then powered back up?

How is the power draw from the camera and the runtimes you're getting with your Dionics?

You can advertise to your clients that even they can "Feel like a princess when you watch TV on a Cinderella LCD television"

I have the Axion AXN5358 3.5-inch TV. The reception is OK, nothing amazing. It is nowhere near the level of reception you can get with a tuner hooked up to a shark fin antenna. It takes 4 AA batteries for every 2 or so hours of use. I have a few sets of rechargeables I bring. It's cheap at $60 and its lightweight. It's a 4:3 image, so it's not the most ideal, but I rarely get complaints about it. It does not stay on a specific channel if you turn it off and then back on again.

I use a different model Axion monitor for use with my Modulus and it's great.

Happy Birthday Jim! I had a long day today with a RED camera and your wonderful Bartech! No issues, as always.

The jump near the end of the video was pretty impressive too

Fahid, you should email Tom at Glidecam, he might be able to send you something. tomh@glidecam.com

It says in the Consumer Guide article that it is estimated to be around $12k before options added, very cool!

Bryan, I would check out the dvxuser.com forums. I have a feeling there will be a few for sale, the next version just came out, the HPX 170.

I buy most of my Pelicans from EVS in Glendale. http://www.evsonline.com/ They seem to stock most of the Pelicans

I'm not sure if people have already seen this, but check out this video: http://www.themovieblog.com/2008/09/crazie...ight-scene-ever There are some interesting behind the scenes comments about their Steadicam ops.

Here is a photo of one of the lenses

Hello all, I am posting this on behalf of a friend of mine who is a DP. ------------------------ Call Adam@ 323-864-9130 or meltzer17@gmail.com All this gear is used and should be inspected before buying. It is all sold as is and I will answer any questions you have ----------------------- Bartech: Bartech transmitter Receiver 2 antennas (not pictured) Heden M26P motor One gear is provided (please ask him for the pitch size) Power Cables: Fisher 2 in to 3 pin XLR (24v) Fisher 2 pin to 4 pin XLR (12v) Fisher 2 pin to 11 pin male to male Motor Cables: 2x Fisher 5 to 5 male to male He is asking $3,300 --------------- Zeiss (PL)standard mount lenses covers S35MM $10,000 for set (5) These are the small-barreled lenses that were standard mounted and I had them converted to PL?s. They are not Mark 1,II, or III?s. They have been completely overhauled, PL mounted and have new focus rings put on them. They are ideal for owner operators with a RED package or any other cameras that need 35MM lightweight motion picture lenses. The set includes 16MM Lens Distagon F 2.4 24MM Distagon F 2.2 32MM Planar F 2.8 50MM Planar F-2.2 85MM Planar F 2.2 The following will be sold as singles for $1200 each. They are standard mount lenses and are sold as is. They have been overhauled, but not PL?d. 16MM Lens Distagon F 2.4 32MM Planar F 2.8 24MM Distagon F2.2 -------------------------- SL CINE- S35MM Cam Body with Watec Camera (2 available) #1 is a 12v camera runs up to 48fps $10,000 #2 is a 24V which runs up to 80FPS $12,000 200? magazines (5) $200 (each) These camera in good working condition. Cosmetically they are not great, but they have been serviced and are operating perfectly. The SL 35 is a rugged super lightweight camera. Weighing in at 2.6-kilos, it goes from 1 to 80 fps and is crystal controlled at all speeds. SL 35 Mark II is a specially modified adaptation of the high speed Arri 2C movement, and proprietary electronics. Standard equipment on board consists of a built-in video door and has a PL mount for S35MM. New added features include an extra 11-pin fisher connector on the back of the camera for optional accessories; moreover, these connectors have been upgraded to 8.5 amp output at 12 volts out.

Hello all, I am posting this on behalf of a friend of mine who is a DP. ------------------------ Call Adam@ 323-864-9130 or meltzer17@gmail.com All this gear is used and should be inspected before buying. Bartech transmitter Receiver 2 antennas (not pictured) Heden Motor M26P One gear provided (please ask him for the pitch size) Power Cables: Fisher 2 pin to 3 pin XLR (24v) Fisher 2 pin to 4 pin XLR (12v) Fisher 2 pin to 11 pin male to male Two Motor Cables: Fisher 5 to 5 male to male --------------------- He is asking $3,300

Thanks for the info guys, I am going over to Innerspace tomorrow!

I was shooting on the VMA red carpet yesterday and as the carpet was closing, an op was rolling his Steadicam through the carpet to move it to some side entrance. It wasn't Rob, but the guy did have a PRO arm.

Innerspace is literally 6 minutes away, but you're right, if I was walking, it would be a long way from me...:) Thanks for the heads up Nick, I'll have to swing by