Jacques Delacoux

Hi Dan, Please tell me what is the distance beetween your two rods. And confirm you have 16mm diameter rods. A picture might help. Best regards Jacques

Charkes, Thank you for your kind help. We are working on the project.

Charles, We just started to work on the project. It will be for 2009, I cannot tell yu exactely when. Maybe IBC2009. If you have specific needs, tell us. All the best Jacques

Rob, You are welcome if you want to try the Starlite Color. It is a 4" 1000Nits monitor and we have already several operators using it as a second monitor. The Starlite is built as all our products, aluminium machined housing, AR front glass, 10-36VDC for Film & Video use. There is a Virtual Horizon inside. All the best Jacques

John, I have no trace of contact from you in our system. Which email address have you used? Please email me directly to jd@transvideo.fr Regarding your question, it is true that there is no SuperBright version of the 8''. This monitor is a studio version with wide color gamuts but lower brightness. The specific product for the Seadicam is the CineMonitorHD6SBL. Following users feedback it is realy the right size. It seems more comfortable to span on a 6" than on the 8". All the best, Jacques

Hi Norbert, You are welcome to visit us in France. You will see that we are using the top design tools for electronics, software, programmable compnents, mechanicals, optics,... We do not use "commercially available hardware/software etc" and it is what makes the difference. Our products has less than 1 frame/picture delay, always frame locked from 23 to 60. The picture is perfect (at least to our taste) The CineMonitorHD family don't come from consumer TV sets but have been especially and only designed for to pro use. 4 years of development for the processor. Have you already tried one? Best regards Jacques Hi Jens :) I may be wrong but my technical experience tells me that in this digital age, real R&D is the domain of the big boys. I'm sure relatively little companies like Transvideo usually take commercially available hardware/software etc. and custom package it to suit their purpose. As an example, I have a Glidecam L7-PRO monitor I bought for $700 and too late found out it was just a rebadged version of another non-pro name company that sold theirs for $400. Why such a disparity in prices between the Transvideo and the Boland for example? It's not like we're talking Ford compared to Ferrari here either. They are both high end pro quality monitors that have very much the same specs and capabilities so where does double the cost come in? Sorry, I'm still not convinced. <_< Cheers Norbert