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Gregg

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  1. Hey Koji, Sorry for your loss. Please tell me you didn't leave the hard boxes in plain site. I too get lazy but ALWAYS throw some crappy clothes over the top to discourage A holes.
  2. The rental and rigging of the rickshaw, time wasted and not really getting the shot, what did that cost? I'm just sharing a story from the set, I would have reported a good experience from this unit but on this job the only decent footage came from on top of a 6 foot ladder.
  3. I was on set yesterday and witnessed for the first time in the Bay Area a Movi in action. After finally getting the rig fired up and handed to the DP they lost signal to the village and some battery issues made it look well, not very user friendly. The first shot was from the top of a 6 foot ladder which looked ok but the next shot had me scratching my head. The had a rickshaw and placed the DP in the front to follow a boy (way low) on bike for 50 feet or so. Starting 3 feet from talent they chased this kid to a skidding stop where at one point the rig bounced off the ground and never really captured the scene, take after take. I thought to myself why didn't they just hire a operator, go low and walk fast next to the kid. They would have had it after 2 takes. FYI- this was a huge production with a major car brand.
  4. My U-verse allows me to rewind and freeze frame so every time his camera went live I would go back and watch over and over. On one particular play his erratic footwork was caught from a different camera while chugg'n down the sidelines and you would swear his shot was blown but nope, when they cut to him, his shit was as smooth as the skin on a baby mouse.
  5. Who's the big fella? Love his hussle!
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