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Posts
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Everything posted by Rob Vuona SOC
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Full Pro/3a/EFP rig SD, for sale
Rob Vuona SOC replied to JensSchroeder's topic in Steadicam Marketplace - For Sale
Jens, I don't need another rig but this is a great price and I'm tempted, you coming out for NAB in Las Vegas? -
Steadicam Workshop at The Queen Mary
Rob Vuona SOC replied to Rey Reyes's topic in News, Events, Workshops
I'm available the 24th and 25th- 9 replies
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- Steadicam
- Steadicam workshop
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(and 1 more)
Tagged with:
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Rocket Cargo http://www.rockitcargo.com/?
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Skills for Steadicam utilities
Rob Vuona SOC replied to Mark Schlicher's topic in General Discussion
If they can over/under a cable while keeping up with me running, doing 360's around talent and keep me safe from hitting anything or anybody while going up and down stairs all while not tripping me and keeping the cable from being under anyones feet and out of the way of other cameras is the pre requisite. Thats why we travel as a team !! Mark , Who ever you are bringing through the ranks, keep them on their toes at all times and that way you can stay on your toes. Its not fun when you go down ! -
Live TV Accs.
Rob Vuona SOC replied to Dave Schwandner's topic in Video Assist and Video Accessories
Return comes through the camera if your tethered, If your on a wireless set up it comes with an return rf module via the link system -
Be a it more specific and we can prob help =)
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Less Coffee . . . . . . ?!? just sayin LOL Sorry couldn't resist
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Atlas Arm wanted for temporary trade
Rob Vuona SOC replied to Kyle Wullschleger's topic in Steadicam Marketplace - Wanted
just put in the two black canisters and take out the two blues and fly your titan its lighter that way -
What case to use with the CineLive?
Rob Vuona SOC replied to Victor Lazaro's topic in Cases/Carts/Stands and Transport
Go to Innerspace case and have them custom fit you a SKB case Same size as a storm 2950 or pelican 1650 only the SKB has better latches and slightly more volume Your welcome Lol Jm2c -
A cheap solution that eliminates the need for camera plate
Rob Vuona SOC replied to daniel hanit's topic in Operating
I'm in . . . . =) Colin, does the lower profile distance to the bottom of the lens from the plate hinder the attaching the the fuji adapter cable? Is there enough room to plug it in? -
A cheap solution that eliminates the need for camera plate
Rob Vuona SOC replied to daniel hanit's topic in Operating
Thanks, I'll look into this tomorrow on set to see if the sony 1500 or 2500 broadcast camera's have a screw hole up front may need to start doing this =) -
A cheap solution that eliminates the need for camera plate
Rob Vuona SOC replied to daniel hanit's topic in Operating
What camera are you talking about? -
Love to see it next to Small HD, Transvideo and cinetronic =)
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Great to hear Gary, Will it have Tally as well, ?
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I have one along with mill, but of course theres so much crap in my garage from my wife ditching shit in there that I cant even see my workbench . . . . .Uggh
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My stuff was stolen last year around this time in NY last year and it turned out to be the security guards. Sucks this is happeneing to you bro . . . . But look at it this way, Time for a brand new Bartech and ,do yoursef a favor, and get different brand of motor all on the insurance claim We will keep our eyes and ears open Keep checking ebay and craigs list
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Need to know if these exist? And where to get them? Think cork or foam 5-6 inches that would be able to strap onto your existing shoes, for doing hand held shots not walking in Steadicam
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PRO ARM for sale.
Rob Vuona SOC replied to JamesSainthill's topic in Steadicam Marketplace - For Sale
James why are you selling it? -
Donkey box I from George Paddock
Rob Vuona SOC replied to Denis-Noel Mostert's topic in Steadicam Marketplace - For Sale
Anyone who owns an EFP should jump on this sale if they haven't already upgraded their top stage JM2C -
I want to buy an arm.
Rob Vuona SOC replied to jorge manzur's topic in Steadicam Marketplace - Wanted
John Atkinson is selling his Luna Arm hit him up at +1 407 341-2491 -
I have 4 - LI 230 . . . . 2.5 years old . . . Bought from Global Media Pro online 3 - LI 190s . . . . 5+ years old . . . . Bought from some other company here in the US, don't remember 3 - LI 90s . . . . . 5+ years old . . . . " " all from China and they have been super strong and have powered everything from Alexa on down. All of these batteries are manufactured from Beillen a company based in china, then all the other distributers slap their labels on them, at least thats what the company told me at NAB . . . . http://www.beillen.tv/Gold-Mount-Batteries/Beillen-BL-AN190-Li-ion-battery I would dispute Globals Claims about your use of the batteries, it sounds like you have a bad batch to me . . . . JM2C
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Alfeo, Unfortunately undercutting happens in every market and will always happen ! The best we can do is educate the up comers and help them realize the disservice they are doing to themselves and others. On the other points: Union rates: I have said it before.... they are in place for us only as the minimum they can pay us not the min you have to take, it's always negotiable. If your working for the union set rate then you need a class in negotiation. =} Discussing rates between operators: Of course you can discuss rates and you can tell others to try to stick to those rates, that's not to say they are going to and or have to, it's merely a suggestion. A suggestion that will help your career but not necessarily that day. Lastly Undercutting and referrals: There are shows and operators that are established and rates are set, if your stepping into those circles on established shows or a higher caliber show then you better be charging the proper rate for yourself and for other operators. If the show is new, with an unknown director or DP and they are claiming poverty well guess what, they get a lesser inexperienced operator for less rate or they don't get steadicam at all. Undercutting only becomes an issue if you had an established rate or a history of getting that rate and not necessarily with that production just your rate. I will get calls all the time for shows and their offered rate is way less then par, I tell them my normal rate and then they move on. All of my colleagues that are in my genre and circles will also quote them the same rate, not because of rate fixing but because they are worth the rate and won't be bothered to do a gig for the price of rental only. At some point all of you newbs will get sick of busting your ass for very little money and your experience and self worth will take over and you will say no to those gigs. So many times and undercut is more of a misinformation situation than a blatant undercut because the under cutter doesn't know what his or her worth is or what the shows budget is. Once these people are informed they realize what they have lost. There has been many times where some newer ops have stepped into my genre and into my circles of shows and shorted themselves because they just were misinformed, they just didn't know what to charge and production was happy to say yes to less. It's our jobs to educate the new guys so that they will understand the future is not about making the buck right now it's about making a living for the future.
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Good on ya, glad i could help
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The Active High and Active low settings are not in the Tally menu, they are in a technical menu on monitor set up, I don't recall which one exactly But what concerns me more is that you should be getting the talent LED to illuminate even if the monitor is not receiving tally. This says to me that the circuit is not being made complete someplace. May have to be a call to talk you through a trouble shoot with Tiffen . . . .
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I'm hearing by the end of the year is their goal