Brad Olander

$750 plus shipping.

$7200.

$10,000 with 2 additional black canisters.

Sold

Sled and plates are sold.

Other items now listed separately.

$750 plus shipping in US.

Jerry Hill Docking Bracket w PRO/5/8" studs.

2" forks and tilt function.

Docking rings are not included.

$950 plus shipping in the US.

Mitchell mount and pipe clamp. 

Very good condition.

$7800 plus shipping within the US.

Great condition with soft case and tools.

Includes:
GPI Pro Atlas Arm
Two grey canisters

6 inch arm post w/ collar 
12 inch arm post w/ collar
J-bracket

GPI PRO arm bag
PRO arm tools and extra parts

Two black canisters also available.

$4250 plus shipping in US.

I'm 6' 1", 34" waist.

Still available.

$36,500.

Prefer local pick up. Located in North County San Diego, CA.

Great Condition.

$42,500.

https://www.bradolander.com/GPI-Pro-4-Sale/n-pjgWJ3/i-ZDd4Nxw

SOLD

It was about $5400.

Looking at old emails, I paid a $2500 deposit then another $3200 just before it shipped. Some of that would be CA sales tax.

SOLD.

$175 plus shipping.

SOLD.

Thanks.

For sale. Very good condition. $2350.

http://www.ebay.com/itm/132254908116?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649

Also, I have a Cinetronic yoke available.

Thanks.

Brad Olander

The Atomos Connects have a "Pull Down Removal" function, which seems to solve most of the Sony to Cinetronics problems. And they're pretty cheap now ($150 on B&H). The SDI>HDMI at the bottom of the sled, into the Cinetronics, has worked well and your still looking at an HD image. The HDMI>SDI version might be better for mounting on the camera. I have both versions as problem solvers. Alan Rencher made me a P-tap to FS700 (Sony NP type) cable that works well to power the Connect.

SOLD

Two blue canisters for sale. Bought with Atlas arm. Used once in two years. Mint condition.

$2550 or best offer.

"3.9lbs is a good monitor weight"

I would prefer half that weight, and the ability to add a battery to the back of the monitor. With two batteries on the CineLive, one is often under the post and one is off the back.

I haven't had noticeable sharpness issues. I would be aware that the camera shoots 240fps in 8 or 9 second bursts. So, getting to the record button while on the Steadicam is something to work out. You can set an "end trigger" which can be very helpful if you can't time your action.

Good luck.

For me, the Stanton blocked too much of the screen. I have the Libec, but it doesn't feather well. My old J7 works better. I am currently a fan of the G-Zoom, and Erik has been very helpful. (I also like his headset for live work.)

Good luck,

Brad Olander

Robert Luna, 323.938.5659

The Sony F3 does have the needed output options in the "Video Set" menu:

Monitor mount sold.

The rest is still available.