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Brad Grimmett

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Posts posted by Brad Grimmett

  1. Nice work. Oner's are tough. One thought I have is that it appears you set your headroom for the end of the shot and then didn't compensate for it at all. I think it looks odd when you're chopping off his feet and his head is center punched in the frame with tons of head room. I think if it were me I would have tilted down quite a bit.

  2. I have done upside down low mode many many times with the RED and never had a complaint.

     

    ~Jess

    It's so much easier now than it was a few years ago with F900's or Varicams since everyone has an LCD monitor now in video village as opposed to a CRT. It's hard to flip a 27 inch CRT.

  3. I'm thinking maybe a thick plywood (maybe with pucks mounted underneath?) and then attach some pipe or speedrail to mount the socket block. Then I just need some place to sit.....

    If you're really considering doing that, then just get some apple boxes and screw them down and then screw your hard mount to them. I've done that in the back of an ATV before. Then just screw down an apple to sit on and you're set. This type of setup would work better for low mode than high of course.

  4. Again it isn't because they are trying to be difficult or lack of stock, rather it's to prolong the life of the lens and not have to repair them every week a set of superspeeds comes back.

    Here's the thing....every other rental house will rent a clip-on with super speeds, so either people will just go to another rental house and Birns will lose the entire rental, or they'll just rent a clip-on from another house and use it with Birns' lenses. Either way, Birns isn't helping themselves, or us as operators.

    The first time this happened to me the assistants had ordered the clip-on, but instead Birns just sent out another studio mattebox without telling anyone, and the assistants didn't know until it was too late. This was an all steadicam all day type of day, including running shots and long one'rs. I was pretty unhappy and it left a bad taste in my mouth. If you're not going to give us the gear we need, at least let us know so we can make other arrangements. I don't think that's too much to ask.

  5. So lately a lot of my jobs have been using the same rental house. This particular rental house has screwed me on multiple occasions by not sending out a clip-on mattebox with the package. It turns out that they refuse to rent a clip-on on the same job they rent there super speeds. They claim that someone damaged their lenses with a clip-on in the past.

    This is getting really old because now I have to be a pain to production about it and then they have to rent a clip-on from another rental house. I doubt there is anything I can do, but does anyone have any suggestions?

  6. As a result my own site is so stripped down it's practically too much so, but it gets you where you need to go.

    Speaking of too stripped down...mine is JUST my reel. But in my defense, it's not finished yet. The low-res version loads immediately for speed purposes, and there is a high-res version if you want a larger and less compressed version.

    bradgrimmett.com

  7. Xiao,

    You've been open and honest about what you need and what you're willing to provide in exchange. It's not ideal for a lot of people, but it will be a doable deal for someone who wants to shoot something on his/her own. The fact that you've hung around to respond to questions and challenges says something about you.

    I hope you find someone and that you are BOTH happy with what you get.

    Good luck.

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