Brant S. Fagan SOC

Gents-- I have always believed that your rate is a reflection of not only your skills and experience, but also mirrors you as a person. I believe that you (and I) need to show that self respect and confidence are a major component of how you set your rates. Would you like to be known for working "cheap" by producers who have no care or conception about the final product but only the bottom line? Cutting deals is one thing, but cutting your rate substantially hurts us all. Many who came before us worked really hard to sell this thing as a specialty item, not just another commodity like feeder cable or film stock. This is far from a tradition but the essence should carry on. If Steadicam operating was soooo easy, everyone could do it. While this may be true in LA (the "everyone" part) it seems far from it for the rest of the world. Make a difference, stand up for yourself, be proud, and work for a rate that is fair and reasonable for your level of experience and equipment. But don't go posting it here! This is a discussion space, not a resource for producers looking to rip our hearts out over money. Your rate is your business, between you and your clients, whomever they may be. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- I just converted my third [now dead] PCS battery to an adapter for the Cramped Attic Technologies' Sony InfoLithium holder. David Hable sold me a sexy, nicely machined Delrin holder, with voltage stepup electronics built in, which I then mounted to the cut-down remains of the PCS battery case. Check the photo below for some idea of how slick this turned out! I just used it on a shoot with Aerosmith at the Mohegan Sun Arena and it was terrific! For those who might be curious, I was there to shoot some shots of Steven and the band for a new ESPN/NASCAR campaign for their racing season coverage which breaks next season for 40 weeks. After nailing those elements, Steven asked me to stay and shoot the show, on stage no less! Killer show and lots of fun!! Back to the battery story. Nice being able to check the Sony battery's led power meter during the show to prevent surprises. Steven and the guys provide enough! I chose the Sony M-Series batteries which I found at B&H here in NY for US$70 each. Plenty of juice and an affordable alternative to OEM batteries. I recommend this mod for every Preston FI+Z owner and even for other FF systems. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- Here is a look at my first ACME Monitor Bracket. I have made several units of this style and plan to make a beefier version that would suit many larger more HD format and size range items. Very light and rigid and it allows me to maintain dynamic balance without adding bogus weight whether in the form of a battery or depleted uranium. Just like Rich, I prefer to have the post in the shortest configuration whenever possible. I rarely telescope my post more than four inches from the most compact length. And then it's usually for some diabolical low mode death squad shot! Here's my take on light and long. Best, Brant S. Fagan, SOC

Gents-- Dan you may have started yet another thread which causes boiling and wailing from contributors alike! I am proud to say that I have been an LCD monitor convert since 1995! Way back when I got started with my trusty Model II, I was immediately in the hunt for another option, not just as a backup to the petite Model II screen, but as an alternative to the whole electronics package. Since going "flat" and in color, I have been happy in all but the most ridiculous glare situations. Most times, a simple change of viewing angle, up or down, is sufficient to clear things right up. Currently, I depend on the Panasonic 7" 16:9 monitor. Hey, at US$489 from B&H in NY, I feel it's a hard-to-beat deal. To be fair, I have sampled the wares from Tiffen and many others but at this time, the price point of the Panasonic is tough to beat. Sure, I love the image quality and "depth of flavor" of the Tiffen UltraBright, but the current price is tough to swallow. Perhaps if the right show demanded HD viewing for me and a wandering director, I would take the plunge. For my needs, slight and light works best. Since I shed the bulk of the PRO I monitor, I have designed and built a monitor bracket which allows dynamic balance with out adding weight and hence saves my sled some 3 pounds! Just my .02 Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Chris-- Yes, all the current ARRI cameras use the same power connector, 2-pin Fischer 105 seris, and the same RS connector. And yes, CSC has the vertical displacement mags for the 235. I know because I just did a feature with that camera, but from Panavision, and production had to get the mags from CSC because PANY did not stock them. Good luck. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Jamie-- You might try giving Paul Dudeck at A/B a call to check on B-Stock and other specials. 800-422-3473 Mention that you are a Steadicam operator to get a "family" price. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Nestor-- What our esteemed Moderator was trying to describe was the 3A post size of 5/8" or 0.625" not the 1.5" post he was describing. Yes, there are several people who still manufacture the J- F- or D- brackets in 5/8" post sizes. Check the web. What camera will you be saddled with? Does it come with a low mode bracket? Make sure before you show up that you have the right length dovetail plate(s) to make things balance properly. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- Here is a look at my rig in low mode with a Pan Arri 235 sporting an "E" series 35mm anamorphic while on the Action Unit of I Am Legend in New York. Lots and lots of running in low mode has made my love the 235! Everyone should have one for their kit! Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- If you have an A/B question, why not ask the man himself, Paul Dudeck at A/B. Toll free in the USA at 800-422-3473. As many of you know, Paul has been a fantastic supporter of many of the Steadicam bretheren over the years. Straight answers and solid gear with unmatched customer service. Just my .02 Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- If you're looking to carry your own enclosure, let me recommend the Pelsue line of self "inflating" utility style tents. These tents require only one person to pop them up thanks to an ingenious system of rods and locking plates in the center of each sidewall. While these units cost more than a camping piece, they are designed and built to take far worse conditions and more abuse than a camping tent. These are the yellow and white bulging block tents you may have noticed on telephone company work sites and around public utility work areas as well. Built solid with top grade components right here in the U.S. but priced a bunch higher than parts from EMS, most models suitable for Steadicam coverage will run about US$550. plus shipping. I chose the 6.5' by 6.5' Z-series model which has a double zipper front door which rolls up and ties with velcro wraps and even comes with it's own black cordura carrying sack. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- It seems clear to me that just about ANYONE "making" a monitor today, and I believe that would include the major Steadicam manufacturers, would also be "guilty" of packaging the technology of others and engineering those components to suit the needs of their customer base. So the bottom line, for us Steadicam operators anyway, is while basing your monitor on the components of others, Jeremy, have you found solutions to the inherent problems of the technology and can you produce a product that meets the needs of this customer base? Given that question, would you consider a pilot or beta program of sample units to be tested and evaluated by members of that customer base? Specifically, those Forum members who have shown an interest in such a product? Please let us know your intentions and schedule. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Guido-- Greetings! Yes, the VLS weighs in at a scoshe over 1 pound, 464 grams to be exact. Cost of the VLS is US$850. plus shipping. When packed for international shipping, the VLS and package weighs about two pounds. FedEx international runs about US$35. for this size and weight. Get me your address and I can get you an exact quote and time for delivery. Best, Brant S. Fagan, SOC

Gents-- Before you go and get the low head allen cap screw in 3/8-16 size, which incidently is only available in a 1/2" length, keep in mind that the thread depth on most film cameras is LESS than 1/2" and will bottom out inside the threaded insert in the camera body. Yes, you can buy the much cheaper and commonly available size for the video camera baseplate use, but you must cut down the 1/2" version to be compatible with film cameras. I know this because I custom cut a batch some time ago and found out how much time and effort is involved in re-inventing the wheel here. You must setup your lathe to cut off the "excess" threads and clean the end after by chasing the threads with a die. By the time you have completed your batch, the cost to you is almost the $16 you were charged by that major manufacturer. They probably didn't make anything on that sale even if they ran a large batch of screws through the shop. Trust me on this, you were not screwed on the screws. One more thing, stainless steel screws will fail LONG before a high carbon steel one. It's just the nature of the material. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Ladies and Gents-- I should have known. So, be careful what you say or wish for! I know I have been spouting off for some time about my new VLS for HD/SD video low mode work. After a solid month of nothing but Panavision gear hanging from my sled, I was handed a commercial job, on short notice and with little prep. The client got me the boards and shot lists several days beforehand and the DP and I have worked together for many years. When I arrived on set, I found out that most of the creative had just been tossed out and things they were a-changin'! The DP pulled me aside from the discussion and inquired about staying in low mode with the Sony F900; did I have a bracket and could this be absolutely solid as many of the Steadicam shots would be composited and layered in post. "Yes, we can do all that with my new VLS," I told him and then proceeded to build the rig. Check out the pictures below of the configuration and compactness of the camera. So I spent the day trotting about in low mode, both interior and exterior, day and night shots. Walking between cars in a parking lot in tight spaces, down aisles in a warehouse, floating about in a retail store; all rock solid and just what the director wanted. I hate to sound like a salesman, but the VLS totally works as I have said. No shakes, wiggles or wobbles. Even the soundman, an old friend of many years, was impressed at the rigidity and performance of the VLS under the conditions. I can not say it enough. The VLS is the most solid, rigid and productive bracket in low mode for video, period. If you have been a camera-flipper and not wanted to lose that rigidty from a bottom mounted camera, this is your solution. If you hate low mode work, for any reason, this is a means to climb from that pit of destitution and fly high. The VLS brackets are in stock and ready to ship. Had enough of other solutions? End the suffering. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- Actually, some of the WRC-4 units worked remarkably well. Those systems either did not work at all or were actually solid and dependable. I bought one years ago for a good price and had incredible dependability from it. Sent it to Jim Bartell once for a service and never had another problem. Used the system for features and every thing else with out fail, even in Africa which is where it probably should have crapped out but trundled on. If the system still works, it is probably one of those units like mine. For the record, a Heden 26P, SLD, FMG-6, or M-One will function just fine with a WRC-4 system. Good luck. Best, Brant S. Fagan, SOC P.S. I still have mine, complete in the factory case if anyone is interested. Yes, at a killer price, too!

Afton-- While we all enjoy modifications as much as life itself, I would recommend a simpler and far more dramatic solution. Consider a pickup truck with a bedliner and cap. Most caps are now available with seriously tinted windows, too. All, if not most of the large ungainly cargo can be stored and safely transported within the confines of the bed and covered to prevent peeping eyes from studying your loot. A side benefit of this arragement is that you no longer have to listen to cases bumping and grinding but also your cart is safely behind a wall of steel and glass between the bed and cab. Also, you can use a load restraint bar in combination with strapping to confine your cargo to the bed area. Another nice feature of the truck is that you may choose a unit with four wheel drive. Maybe not the most pressing feature for our breatheren to the south, but surely a fine feature for those of us in the northern latitudes. Production also may feel better about adding you to a permit when you say you need room for your "Steadicam truck" near the camera truck. This solution has worked rather well for me for the past decade. Enough that when I have to load my gear into a van or SUV, I loath to listen to the gear jostling about behind me, just waiting for a chance to BASE jump onto my head. Just my .02... Best, Brant S. Fagan, SOC Steadicam/Camera Operator

I actually attended an interview for a feature with the director and DP who, after viewing my reel, asked me why I had no shakey or floaty shots on it. You see, their film had lots of subjective camerawork planned, "You know, like it's floating around without real purpose, like it's handheld, but without that shakey bumpy feel to it," says the DP "Right, just like that," says the director. I explain that shots like that are not on my Steadicam reel for the "obvious" reason but that I can certainly "detune" the Steadicam to their liking. Did I get the job? Not a chance. The whole film was handheld and horrible to watch. Yes, I have done a bunch of shots this way, even on big features like "Keeping the Faith." Do I advertise this? No, not really. But it does happen. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Lav-- The VLS brackets are in stock and ready to ship. I sent you an email off-board. I'm sure this rig will make everyone happy, including yourself. The VLS fits large chassis HD and SD cameras as well as truck or studio triax cameras. Just remember, the camera handle need not be flat to make the VLS function properly. In fact, the curved handles of some actually get the lens axis headed in a more workable position for most low mode shooting. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- I would have to agree with Mr. Fletcher completely. Before I went to camera, I was an editor for over three years. One of the very first tasks handed to me was to re-edit the company's demo reels. I found that most people (clients) are looking for their "shot" on your, and everyone else's, reels. Remember that this is also a personality contest of sorts. While the shots tend to tell a story about your work, skills, and abilities, music offers a special insight into the type of person you are and what you bring to set inside. Go for it. Use music. Offer a second track on your DVD which features dialog. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Gents-- For the record, according to sources at A/B, the NiMH battery chemistry can NOT deliver the level of current (amps) that are required to run an ARRI 435. That camera requires, for some 14 milliseconds, 17 amps at 28 volts for startup. This is for 24 fps. High speed operations require even more for the speed ramp. Most folks using two batteries to make a 24 volt supply combine chemistry types and sizes to meet that goal. Using two Hytrons, which are both NiMH type, may not be to your satisfaction. If you have specific technical concerns about your A/B products, contact Paul Dudeck, who posts here as well, and get your answers straight from the source. Go get 'em. Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Dave-- Remove the offending knob and dip in alcohol to remove oil or lube. Worm gears could use some general purpose grease sparingly applied to the mating surfaces ONLY. Wipe off any excess whenever it appears. Keep all lubricants away from wiring and contacts. Good lubing! Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Ladies and Gents-- I am proud to proclaim that VLS units are shipping now! I have shipped them to both coasts and even to Australia as well. Get 'em while they last. Don't forget the introductory price of US$850 will only last until the first dozen are gone. After that, the regular retail price will be US$1,000. plus shipping. Thanks for your support and patronage! Best, Brant

Jeremy-- To Eric's list I would add: --Manual Termination. --Signal Throughput. --Selectable A/B inputs. These characteristics make for a user selectable cabling environment that allows for real adaptation out in the field. Also, by having two inputs, you can make room for an onboard playback circuit that keeps the playback images out of the village when necessary. When it comes to the connector port issue, just pick one that is large enough for easy field service or user modification later. Lemo connectors are fine, just choose one that has room left on it. Best, Brant S. Fagan, SOC

Gents-- What you all are encountering is normal for unprotected black oxide carbon steel bolts. Simply put, stainless steel hardware is way more brittle and has much less tensile strength than high carbon steel bolts with a black oxide coating. The best method for anti-fuzz protection is to regularly coat your exposed steel hardware with a corrosion inhibitor like CorrosionX or ACF-50. Both are available in non-aerosol pump spray bottles which are handy to carry with you for extra protection. I prefer CorrosionX and have used it methodically since 1996 and have been extremely pleased with the results, not only on my Steadicam gear, but also on my Boston Whaler boat. Good luck and good spraying! Best, Brant S. Fagan, SOC Steadicam/Camera Operator

Bump. Also, I am looking into a delrin insert to make the VLS fit small HD/P2 style cameras. Will report back soon. Keep those calls and emails coming! Best, Brant