Matt Burton

It seemed like the camera opp was being told to make the shots more edgy and shaky, i'm sure they could have been pulled smoother if intended. The reason for this i'm not too sure as it starts this way right from the start of the film, perhaps to add to the raw feel of the film but by the time it's most needed it seems over played.

I still need to see the film a few more times thought and it's such a pleasure to watch.

Anybody else think the hand held was over done ?

 

During the strange lunch sequence in the Museum I have found the handheld style really disturbing.

 

I don't see how some good Steadicam here and there would have "ruined" anything in that movie, or in any other.

 

K.

Agreed, but In the long shot I think handheld was perfect but other places it just looked like the cam op was mimiking what he'd do with steadicam.

Still it would have been fun to try that long shot with a light rig :rolleyes:

Amazing film !

I did get sick of the hand held shots though, although beautifully shot to me it cryed out for steadicam in some parts.

Anybody else think the hand held was over done ?

-matt

Thank you Jason and Jason for making my last job possible, photos on the way !

And happy new year all :D

Thank you Dan and of course thank you Garrett !

I think we can all relate to that adrenalin rush we get when the actor races off just that bit faster than we were expecting !

-matt

Yes get a flyer if you don't mind selling it on fairly soon after you have learned the ropes.

Also think about getting a glidecam v25 or second hand efp/IIIa for a little more $ than the flyer but will last you longer (you can fly a wider range of cameras and acsesories).

-Matt "I started with a flyer" Burton.

Awsome photos everbody :rolleyes:

Cheers guys

Still Looks like if I buy from a uk dealer it will cost me twice the amount you pay in the states, how much did you end up paying Job ?

Like i sayd, 1200 us. You can order directly from B&H

Oh I thought you might have had to pay import tax or something ?

Cheers

Cheers guys

Still Looks like if I buy from a uk dealer it will cost me twice the amount you pay in the states, how much did you end up paying Job ?

I've found an advert for the kino-flo kamio for what seems like next to nothing at b&h but am I missing something ?

I've been quoted over £1900 in the uk for the 6E kit !

link to advet

(sorry if wrong section ?)

Lol, nice pic

 

I'll bet you can dig a nice hole in the ground with that thing

Lol kinda looks like a master's :lol: from about 1000 feet.

Mikko do you still have a link to the milk video ?

>MSRP of $17,500 (£9000) for RED ONE™ camera.

>Estimated to ship in Early 2007.

Matt 'I'm robbin a bank' Burton

Nice work Charles,

But how do you attach your feet to the snowboard now ?

Hello,

in the same idea...

 

http://blog.bretagne-balades.org/index.php...ork-en-4minutes

 

Cordialement

 

Mikko From France

Another Mikko :o

I liked that alot, a nice and simple idea and some crafty editing !

Every time i've done undercranked footage like that we always hit the mother of all traffic jams :lol:

-matt

PS Mikko get ready for a real name bashing !

Or the babel fish translation -

"I roll like Trintignant in "a man and a woman", foot with the floor, blistered meter with a hundred and eighty, taking all the risks. And even more, since I am not with the rally of Assembles-Carlo, but in full Paris. Beside me, my operator boss controls the speed of the camera fixed on the bumper. We burn all the red lights systematically. The streets and the avenues ravel at a terrifying speed. The future spectators will be stuck to their armchairs, crushing a foot of imaginary brake. Because it is a film, of course, which I make. A film which will last same time exactly as its turning. Last nine minutes thirty seconds. Last nine minutes thirty seconds of film, it is what remained me at the end of the turning of "If were to be remade", at the time of returned (final Stage of a turning, where one returns to the hirers out the cameras, the projectors and all the technical material which belongs to them). Finding damage to let lose these invaluable three hundred meters of celluloid, I benefitted from it to carry out a project which for a long time held me with heart: a film in only one sequence shot where the camera would cross Paris at high speed, its glance being that of a man who leads as insane because it is late with an appointment. I had this idea one day or, me which am always specific, I was in the same situation. As it was vital that I arrive per hour, I crossed Paris at an incredible speed, extreme of the red lights, borrowing prohibited directions, taking foolish risks. As I am even remaking it in this moment. Five hundred and seventy seconds, not one moreover, it is the time which I have to carry out the way carries Dauphine-place of the Hillock. With two principal technical problems. The first consists in coordinating the course of the car with the ten last seconds action, when Gunilla, my partner (who is also the mother of my Sarah daughter) advances towards the vehicle which will stop finally in front of it. It is the noise of the engine, with my approach of the place of the Hillock which will inform it that it is time to advance until in the field of the camera. The second problem lies in impossibility of ensuring the safety of the operation. I limited the risks while turning this film-cascades in August, at five hours thirty of the morning, at daybreak. Circulation is thus almost non-existent. I however could not obtain the authorization to block the streets leading to my course. A vehicle can thus uncouple in front of me at any time. If that occurs, I request to have the glance and the reflexes necessary to react to the quarter of second. The most dangerous stage of the course remains the passage of the counters of the Louvre. There is no visibility at the exit. If a car emerges at this time in front of my cap, the collision will be inevitable. I thus posted my assistant, Elie Chouraqui, has this strategic place. Thanks to its walkie-talkie, it will prevent me in the event of danger. I arrive at the height of the counters of the Louvre. No signal on behalf of Pet. I sink. The remainder of the course is achieved without problem. I slow down place of the Hillock, and Gunilla, with a perfect timing, advances with my meeting. Fifteen minutes later, I find Chouraqui, arranging his "talkie". - What occurs? - It is this filth! He says me by indicating the apparatus. He broke down at the beginning from the catch! J ' had a great retrospective shiver of anguish. Upright in the office of the prefect of police force, I have the feeling to be a punished child. Besides I prepare to be it. And severely. Of a voice of prosecutor, the prefect, who personally convened me, draws up with my intention the list of all the infringements which I made during the few minutes of turning of "For an appointment". It is interminable. When it finished, it raises on me an eye black and known as by advancing the hand: - Give to me your driving licence, please. The moment would be badly selected to discuss. I am carried out. The prefect of police force seizes the document, contemplates it rêveusememt during a few seconds, then returns it to me with a broad smile. - I had committed myself with you withdrawing it, says me it. But I did not specify for how long. In front of my amazement, it adds: - My children adore your small film!

I know this sounds obvious but don't fall of the runway !

Will you have a spotter or are you shooting from below (that would be a nice angle) ;)

The last fashion I covered was pretty hectic and almost none stop action, it's gona be hard work but with plenty of nice distractions.

-matt

I bet you need plenty of power in both hands to fend off Liz theese days now shes at full healf again.

:lol:

"Cack handed" havent herd that for years, thats propper working class northan slang for ya !

Nothing wrong with teaching both ways ;)

I'm terrible operating regular but when I go back to goofy after some time struggling it feels like I have advanced greatly.

Strangly I have found in Don Juan I operate better with the rig switched to regular, something about looking over my left side i find better.

Eric, Perhaps as we in the UK drive with our left hand changing gear and our right hand on the wheel, that this is reversed in the US and your more used to doing things backwards :P

-matt

Your instructor was WRONG !

 

 

No actually the instructor is correct

Rubbish !!!!!!

Thats like saying to a right handed person "write with your left hand, it just takes practice".

Aslo how much effort does it take to boom on a modern arm ?

Hardly any thats how much !

When you learned to ride a bike did you learn to ride backwards first ?

Anybody surf/skate/board or even write and learned switch first ?

I think not.

Why teach something thats plainly wrong ?

Madness........................

How can you be sure that you are regular or goofy.? I have doing it regular since the workshop. Beacuse they said that the left hand was moore gentle to the post. While the right strong hand booms up.

 

My girlfriend did a test with me pointing out what foot I often use. She was behind me, suddenly she pushed me forward to see what foot I reacted with. The Left. And also when I move around I tend to start with the left.

When I play hockey am goofy, also when I snowboard am goofy. Should I be goofy when I do steadicam to.????

Your instructor was WRONG !

The only way to be sure if your regular or goofy is to try both ways and see whitch one works best for you.

It's just like being right or left handed and should have the same effect.

I'm right handed and use my right hand to operate the gimbol (where the most delecate and precise input is needed).

The problem is your not just using your hand, your also using your feet, if you skatebaord/snowboard/surf goofy then your right foot leads naturally. This however isnt the same for a steadicam stance as your travelling forwards rarther than sideways.

As I operate with my right hand on the gimbol, this leads the sled to be on my right side and thus in a ready possition my left leg leads with my hips and shoulders facing towards the sled. When I begin my walk forwards my right legs comes forwards but I keep my foot pointing to the right (with the left foot pointing straight on).

Walk like a ninja ! :ph34r:

I was making fun (only a little) of the instructor as it seemed like he was telling the opp to fight a poorly setup rig !

Looking back perhaps I was wrong but I was certainly not making fun of the operator or the camera opp.

Have took the link down anyhows as I wouldn't want people scrutinizing my early operating without my consent.

Regards-

matt

whats wrong with this picture

Still 10 out of 10 for effort !

:ph34r:

Woweeee £21.600 for something that looks like my grandad knocked up in his shed after one to many wiskys.

OMG and whats with the grip handle mounted on the arm ?

Madness :o it's like they have never even seen a modern day steadicam, and if they have then for sure they never used one.

Criminal just criminal this sort of thing shouldn't be aloud, have you seen who they list on the links section ? I'm sure the likes of NBC and Eurosport wouldn't like that sort of association.

oooouch :o

......I feel sorry for the poor camel, that must hurt :lol:

So in SD we can have:

Up to 1.150 fps 720 x 576 pixel SD PAL (4:3)

very nice :D