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Tommy Stork

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Posts posted by Tommy Stork

  1. I have some used PRO gear for sale. PM me for photos

     

    DB2 (old style)

    Center post 2

    Center post 1

    Gen 2 battery rack

    SD electronics and center post cable

    Gen 1 style gimbal with wrap grip

    Gen 2 Cinetronic monitor yoke

    Hershey's special dark chocolate bars and charger

    Preston T bracket (old style)

    Preston MDR 2 bracket

    Preston MDR 3 bracket

    Free Thermodyne sled case

    Free ATA aks case

     

    • Upvote 2
  2. Hi Michael, I do the wiring at PRO and Jarrett is correct, you cannot hack the video line and turn it into an HD line. From what I know the data packets get lost throughout the unshielded wiring and solder between the upper and lower junction box. I don't have an old junction box in front of me to know for sure, but I also don't think there is enough room between the lower junction box housing and the junction box connector to run anything like a mini BNC. I'm kind of adventurous when it comes to this stuff so I know it'd be fun to do if you decide to do it. Whether or not the end result will be successful is another matter. Have you talked to David Hable (sp) at Cramped Attic yet? He has done quite a few upgrades and may have some good information for you.

    Just curious, is the standard pro SD cable sufficient to provide HD-SDI if I were to axe the POWER/VID wiring? The top stage I would wire the old video BNC solely to a 75ohm female BNC, and at the bottom I would add a 75ohm BNC as well and cut the video away from the pro 5 pin monitor out.

     

    Anyone have any luck in doing such a mod?

    If I understand what you mean, you do lose the Lemo 1S 12v only connector if you upgrade to a cinelive but you still have 2 larger Lemo 2B power connectors for camera power.

     

    and, I believe, lose my camera/power combination ports in the process),

  3. Terry West makes cables for us here at PRO so I can recommend him without hesitation. Although, I haven't seen his work but have heard he is good, is fellow operator Jaret Morgan. I have also heard that Alan makes excellent cables as well.

  4. Hey Beau, the nameplates are something PRO does for every operator. When you order your PRO arm, sled and vest someday, your name will be on a nameplate to attach to your gear.

     

    I can't answer your question about the philosophical differences in design between PRO and CP, (or anyone else for that matter) because I haven't spent any meaningful time with those other companies to articulate to you what their philosophies are. I know that PRO's philosophy behind design, the obvious answer of "awesome" notwithstanding, is kept in the same vault as the recipe for the secret sauce.

     

    I know this is the oldest arm post but I get carried away when old gear is being talked about, therefore the photos of the sled vest and gimbal. I'll not deviate henceforth. Only arms.

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