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Showing results for tags 'ARRI'.
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For Sale: Arri UDM-1 (Cinetape) Ultrasonic Distance Measure (Arri’s Cinetape version) Includes: Sensor Unit Display Unit 2 Sensor Cables UDM to RS Cable UDM to Alexa Cable UDM to PSC Cable UDM to UMC Cable UDM to P-Tap Cable UDM to XLR Cable Universal Mounting Arm Manual Condition: New, Never used on set. CHF: 6000.- (Swiss Francs) Plus Shipping.
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Selling Sachtler Act2 Vest - it's in superb condition. Super comfortable and easily adjustable, I've just decided the exovest is a better fit for me. Comes with an additional larger back pad section and a carrying bag. Asking $3250 obo, includes free shipping within the US. Cheers!
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SALE PENDING For sale is an Arri Artemis / Trinity system. This is a full system to either use it as a regular steadicam sled or a trinity. Please note that for the regular sled you will need to get a monitor bracket and monitor (I am currently using a transvideo monitor and camjam bracket and I am keeping those). You also need a monitor for the Trinity. I am currently using a SmallHD 503 high bright – but you can also use the Transvideo 5” Starlite. The system is about 18 months old and was purchased new from Arri in Blauvelt, New York. It was regularly serviced and is in perfect working condition. Artemis Sled is in very good condition with one very minor scratch on top stage and some inevitable superficial scratches on the gimbal cap where you dock. Trinity head has seen little use and is in mint condition. The battery plates have been customized with cheese plates to accommodate accessories such as wireless video etc. Included are: - Artemis Cine Broadcast 1.8'' sled / AB batteries - 3rd AB Plate (under post) - artemis Camera Plate 8'' - artemis Post Tool 1.8'' / 1.5'' - post extension - rain cover for bottom hanger - 2 x docking / balancing bracket - Trinity head - Trinity joystick & cable - Power cables for bottom stage Trinity - Power cables for regular monitor (lemo 2pin) and Transvideo Starlite 5” - Focus power out > D-tap power splitter x 2 - Alexa Mini Power cable - Fisher Arri 24V Power cable - Amira control cable - extra mounting / accessory plate for Trinity / Artemis rods (pictured gyro is not included) - Tenba storage and transport case for Trinity head I wish I would not have to say this but: No barter, no trades, no discounts, no installments, no financing, no tire kicking, no nonsense. For the inevitable “why are you selling question”: As an equipment owner I buy and sell gear all the time. The Trinity is a brilliant and unique piece of equipment. But I have decided to prioritize other aspects of my work. The system is located and can be inspected just North of New York City. Buyer can pickup or pay for shipping of choice. New Value around $ 62k. Price: US $ 49,500k high rez pictures of all parts / details / accessories are here https://www.dropbox.com/sh/uc44w3649inot63/AAAL887oOAfwYhmV83wQ191Ya?dl=0
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I'm regretful to post this beauty, the moment I completed this rig purchase (it took several months of shipping from different vendors) I was presented with another opportunity in the film business that was hard to pass up... :blink: I'm selling everything you see here including the bag for the Titan arm. Michelle from GPI was so delightful during the purchase process, I'm impressed with the quality of all this gear - however i'm unable to use it properly at this time. I balance a red camera on this one time and walked around my house - thats it.... Zero scratches, Zero wear, Zero use, zero issues - all brand new and sitting here in one package for your convenience. BRAND NEW: The big items include: GPI PRO Cine live sled GPI PRO Titan arm - 2 Black canisters, 2 Blue canisters GPI PRO Vest, marked 30" 8" Transvideo Cinemonitor HD8 X-SBL Cam-Jam monitor yoke Jerry Hill Mounting Bracket Steadicam FGS-900073 Stand + wheels 4x Brand new Anton Bauer 90s (New, Unused) Anton Bauer quad charger (new, unused) Cables for Arri Alexa, Red, Sony, Preston, and proper Monitor cable from Transvideo 2x Pelican Cases 1x Transvideo pelican case Can include Preston MDR2 Blue dot, DM1, and HU1 I'll post all the exact cables soon. PM me with offers , and if you need additional pix.- All of this stuff is in one place (Atlanta) and ready to go. Thanks! -Joel
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OFF topic, in case someone is interested. I'm selling my XT package, great condition, 1020 hours, internal ND set included. 50K for everything. Let me know if you have any questions and I can send you more pics upon request. openphil@gmail.com Arri ALEXA XT Camera Body Arri ALEXA EVF-1 Electronic Viewfinder Arri ALEXA VMB-3 Mounting Bracket is Arri ALEXA Short Viewfinder Cables (0.35m/1.2ft) Arri ALEXA Medium Viewfinder Cable Arri Anamorphic De-Squeeze License w. Camera Arri Alexa High-Speed License (with Camera) Arri Alexa ASD-1 SD Card, 2GB Arri XR Capture Drive 4X 512 GB Arri Single Dock Thunderbolt Arri WA-1 Wedge Adapter for ALEXA Arri BPA-2 Bridge Plate Adapter Arri LB-1 Leveling Block for ALEXA Arri SP-4 Shoulder Pad for Alexa Arri CCH-1 Center Camera Handle for ALEXA Arri HEB-2 Handle Extension Block for ALEXA Arri BP-13 Bridge Plate Top (15mm) Arri SxS Adapter 1 AB-PWR-SUPPLY -221W-24V 10 ft 24v Power Cable for Alexa HOP-HP-CBL10-ALX 1 IC-2637* Innerspace Case for Alexa Body with Accessories. 1 AR-801200* Arri ALEXA Battery Adapter Back for Gold Mount 1 AN-QR-QUAD PT Anton Bauer QR-QUAD-PT Sandwich Adapter with 4 221W / 24v Power Supply Internal IRND set 3,6,9,1.2,1.5,1.8,2.1,clear 4 Dyna DS-260A 14.8V 260Wh Batteries 1 Dyna D-4A Charger
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For Sale: Oconnor Ultimate 120EX Fluid Head Price 9600.00 Mint condition only used in studio environment. Accessories Included: - Two Piece Handle - Camera Plate - Tie-Down - Innerspace case (retractable handle & wheels)
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For Sale: Arri SXU-1 Single Channel Follow Focus Includes: Wooden grip Focus Ring Lanyard Manual NO Battery included!!! Condition: New (comes in original Arri shipping box). Bought for a project but never used on set. CHF: 3500.- (Swiss Francs) Plus Shipping.
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Arri Alexa Plus camera body, Great condition, comes with EVF, full arri support handles BP-13 base, Solid Camera power back, set-up for gold mount & V mount plates. All cables + backup. $15K USD. Pics available upon request. Contact: stewartwhelan@mac.com
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PRO 2 sled upgraded to HD-SDI, comes with all original accessories, case, all the cables, cam-jam monitor arm, and yoke. NB stabilizer arm (3.1kg) Walter Klassen back mount vest (m size) (stand is not included) asking 23K let me know if you have any questions (openphil@gmail.com)
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- steadicam
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In amazing shape, 6 lenses, 16mm (Close Focus), 28mm, 32mm, 50, 85 and 100mm in case, $29k, More pix available upon request, in LA, the have been inspected by the zeiss tech at Abel, come with letter stating their compliance with Zeiss' Specs
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hey yall going through gear, trying to purge i have a small set of arri lights here. they were used for a documentary and probably have less than 200 hours of use. http://s1065.photobu...ary/arri lights $1500 1 arri soft lite 1 arri 1k 1 arri 300 3 arri light stands 1-2 spare globes for each basic gel roll scrims filter trays case a few extras all of the lights work great. flash was used on a few photos, the lights are NOT hot in any photos. lights are in atlanta. buyer pays shipping. case is heavy and includes a spare caster. let me know if you have any questions. brett. 12@brettmayfield.com
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ARRI Arrihead MK-1 Gear Head Includes: - Hand Wheels - Quick Release Plate - Tie Down Case included $12,200 USD OBO John 661 312 6441 / cell johnsosenko@gmail.com Los Angeles Area
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I have an MDR2 G4 and i'm interested in temporarily retrofitting it with the G3 board for an HU2. Also, I'm interested in acquiring more motor cables/ serial/ command/ run stop/ trigger cables for: Arri Alexa (all models) Red Epic / scarlet Sony F55 And, finally - just throwing a line out there for a HU3... Thanks
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Dear Admin please move post to MARKETPLACE I posted in the wrong section of the forum, my apologies... ARRI parts for sale: ARRI Wireless Follow Focus WFU-3 Controller + CLM-2 Lens Motor http://www.ebay.com/...984.m1555.l2649 ARRICAM POWER BRIDGE PLATE http://www.ebay.com/...984.m1555.l2649 ARRI MINI-MONITOR 416 http://www.ebay.com/...984.m1555.l2649 Open to offers, Thank you
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5” OLED Monitor / Recorder with Touch Screen and Arri Bus interface Package includes : 1 x StarliteHD5-ARRI 1 x Cable Lemo5 to Lemo6 with wiring for the EXT connector of the AMIRA/MINI* 1 x Magnetic snap-on screen cover 1 x Magnetic snap-on hood 1 x 3D swing Arm 1 x 8Gb SD card class10 1 x Pelican case Great working condition. Minor signs of use. No scratches on screen. $1100 Item is located in New York City.
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Take the camera and RunAs happened to me quiet a few times lately (and I have the feeling it will keep on happening) I found myself in one of the shooting situation I dislike the most, which is when more or less suddenly the 1st AD tells me :”Put in that van everything you’re gonna need for the rest of the day, we’re moving to a new location which is an hour drive from here. Don’t forget anything, be fast and please… keep it simple!”. Of course I’m not speaking about situation where this was in the callsheet, in that case it is pretty easy to be prepared. I’m speaking of those times when a sudden change comes up (rain on location, new shooting plan, talent’s agenda variations and an awful long etc.) and we need to improvise, which is from my point of view one of the most important skills of a good AC. I’m pretty sure that some of you came up quickly with an answer like :”Ask the DoP!” and even though it is logic, if life was so easy everybody could be a top notch assistant cameraman. Normally, when this kind of situations happens, there has been an important change in the order of the shots, so is pretty likely that the DoP has his hands full speaking with the gaffer and/or the best boy about the new situation, discussing with the director all kind of lighting issues etc. Of course the camera crew also will need confirmation from him, but is gonna be... More info HERE
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camera interface and control unit for 8 motors, ARRI White Radio Module, compatible with 7 pin Lemo motor cables. The camin is the ‘brain’ of the cvolution lens and camera control system. The camin with ARRI White radio works with up to 3 separate wireless control units, drives lens and /or rig motors and can communicate with most of the popular film and digital cameras used in today’s broadcast and motion picture productions. The camin is equipped with an internal power booster. This ensures the digital motors are supplied with a constant and sufficient voltage even when using 12V video batteries. https://www.cmotion.eu/shop/product/c0e2-k05-camin-8m-arri-white-l-287?category=101 also selling: arri alexa classic cine tape udm hedén motors lemo & cbus cables email me at: RRHeikens@hotmail.com
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In great shape 2 axis Weaver Steadman Head, recently serviced, all knobs work as they should. $3,900.00 Located in LA, also 3rd axis available, @2,800.00
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SequenceShoot: The great Orson Welles used to say :”A long-playing full shot is what always separates the men from the boys. Anybody can make movies with a pair of scissors and a two-inch lens.” And as usual, the master was totally right. Thanks to movies such as “Children of men”, “Gravity” or “Birdman” (and a lot more) the sequence shots are once again very popular and with the help of digital cinema that removed several limitations we previously had (such for instance the time limitation of 10 minutes due to the size of 35mm film magazines), this kind of shot has become RELATIVELY easier (or at least possible even for small and medium-sized productions). The capital letters are on purpose, since shooting a one-shot sequence is still an extremely complicated thing to do, the longer the harder. Last week, a friend and DoP offered me the chance to pull focus on a short movie which would be shot on a single shot of approximately 1 minutes length, in a studio with 9 actors. The camera would be the whole time on a J.L. Fisher dolly with rubber wheels to not disturb the actors with tracks and... More info here. Fabio Giolitti - Focus Puller.
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Arri WCU-4 & UMC-4: lens Mapping | Ideal for steadicam I don’t know what you guys think on this matter, but if you want my two cents it is crucial to be fast when you change the lens while using remote control systems, in situations such as steadicam, cranes or simply hand held when the cam operator wants to be more free than with a standard follow focus. Previously I used to prepare pre-marked rings during camera prep and switch them while the motor were calibrating, but I always dreamed about a more precise and reliable system. A couple of months ago, a local distributor of ARRI products hosted a workshop on how to map lenses on the new WCU4, but sadly I wasn’t in town so I couldn’t attend. So I thought that I could try by myself with nobody explaining me how to do it. This way I could test how really easy and fast it is and if it is well designed enough to be “dumb proof”. As usual I need to thank guys at Camaleon Cine who offered me the possibility to have an Alexa XT Plus, an Amira, one set of Zeiss Standard Prime T2.1 and one of Cooke S4i T2, plus a Fujinon Cine Cabrio 19-90mm T2.9. Aside of that a WCU4 with CLM4 motors and a UMC4. The choice of the lenses and of the cameras was due to the fact that I wanted to test the method with and without lenses with LDS system and... More info HERE.
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Alexa classic 2k (high speed license) comes with: flightcase bars / rods 15 /19 grips idx v-lock battery plate dovetail plate arri v-lock plate cables (evf cable, xlr, ext cable) shoulderpad raincover specs: http:www.arri.com/camera/alexa/cameras/camera_details/alexa-classic-ev/subsection/technical_data/ EUR 10.000,- email us for more info / bankdetails: arrialexaclassic@hotmail.com IMG_3152.JPG.pdf IMG_3154.JPG.pdf IMG_3155.pdf IMG_3171.JPG.pdf IMG_3172.JPG.pdf
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Hi there! I'm looking to purchase an Arri 2 Geared Head. Please email me if you have one mike @ mike heathcote.com Thanks!! Mike