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Here's an article from last year that has a video embedded in it that shows some shots off the "Impossible Shots" demo that he created to show off what the Steadicam prototype could do. Not sure if this has been posted before but I didn't find it on my initial search of the forum, so, for anyone interested in a little history, here it is! http://www.hollywoodreporter.com/news/steadicam-inventor-reveals-impossible-shots-725346

My last. Does it make sense? https://www.youtube.com/watch?v=wf_ySBlZjKw

Cleaning out the shop and selling off some old Steadicam monitors. An EFP green screen, an EFP lcd and a teletest for parts. Green Screen: http://www.ebay.com/itm/252111524293?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 EFP LCD: http://www.ebay.com/itm/252111530916?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 Teletest: http://www.ebay.com/itm/252111535633?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

Hi, I've a Steadicam Zephyr as good as new for sale. Been use only 7-8 times. All original part included (manual, DVD, case, etc) Work with V-lock batteries (NO batteries included and NO C-stand included) I'm around Montreal, Quebec, Canada; and will ship anywhere (Shipping extra) Price : 5300 $ US Dollar Kit include : Steadicam Zephyr Camera Stabilizer (V-Lock Battery Mount, Standard Vest) Camera Mounting Chassis (sled) Telescoping Centerpost 7" LCD * SD * Monitor Iso-Elastic Arm Standard Vest V-Lock Battery Mount Docking Bracket 12V Power Cable 3' (0.9m) Lightweight BNC Video Cable Dovetail Plate Hard Case with Handle and Wheels BNC to RCA Adapter RCA to BNC Adapter EFP Instructional DVD Owner's Manual 4 x Merlin Start Weights 4 x Merlin Middle Weights Thanks, Didier

Hey guys and girls, I have an ULB music video shoot Friday night (September 25) and just found out that we're sub-renting a camera package from another production which includes the Alexa XT, Hawk Anamorphics (potentially V-Lite), a remote focus and Teradek Bolt. Though in the past two years I've been able to push my Flyer LE to it's maximum and then some without any problems, this setup is several to ten pounds over the weight capacity of my system. Does anybody have a rig more commensurate to this camera package that you could rent out for the night? Any advice is also appreciated. Best, Greg Arch

Hello Everyone and Greetings from Hamburg, Germany! I joined this forum because for the last several months I've been very interested in purchasing a Steadicam. I've never used one and I'm lost with where to start. They are very expensive pieces of equipment, so I'm trying to gather as much information as possible first. A few notes about me and my upcoming project (in other words, my requirements): I am just shy of 5'-0". I am female and I am absolutely not flat-chested. It's important to mention I wear an F cup when considering vests. I've been working out at the gym three times per week for over two months (since June 2015) and though I am petite in stature, I have become quite strong within a very short time span. In the second week of October, I will be flying to Japan to film for one week and will be filming all day. It's an ethnographic documentary and thus there is no script and no detailed plan. I will be following around the main characters for one week and filming as much as I can while waiting for a story to unfold in front of the camera. So, where should I start? Throw whatever ideas and suggestions you have at me. I appreciate them.

dear friends, I've a Pilot to sell, it's in good conditions, I used it on 4 theater stages... It comes with the original bag and with a very robust flycase tailored on the steadicam and accessories... The basic concept of case is that it is really sturdy, solid and handy, it is designed to leave your camera attached on the quick release plate, it has 2 wheels on a side and handles on 3 sides so you can also move the case as trolley. I can Mount for you a Manfrotto or Cartoni quick release plate. Now a Cartoni is mounted. The steady is located in Verona (North Italy - Europe) I can send it everywhere... and if you come here good Italian food and wine (Amarone) are provided of course... price is 2.500 Euro shipping excluded... :-) Here are the photos

So I got a crazy good deal on Flyer rig used... Huzzah! The only problem is the entire thing smells overwhelmingly of cigarette smoke! I'm trying every old wives trick in the book so if anyone finds this remotely interesting (or entertaining!) I can post about my methods if it works out. However, per my inital question, IF all of my efforts and spells and incantations fail- could I purchase a new Scout Vest, (probably a compact vest because I am a smaller framed girl anyway) and would the new vest be compatible with the rest of flyer rig? Thanks in advance! PS- if anyone out there is/was a smoker and has had this problem, it would be lovely to add some new ingedients to my list of possible concoctions!

Looking to sell my Zephyr. I am based out of the LA area. Please let me know if you are interested. I am willing to negotiating price. Rig has been through a thorough quality control check from Dan Ikeda at Steadicam. ASKING: $8,000. email: sergottmedia@gmail.com More details: - Steadicam Zephyr with Marshall HD Monitor - Low Mode Bracket - Extra V-Mount Battery Mount - Steadicam Handbook and EFP DVD - Mini C-Stand - 2 Dovetail plates - Docking station - Hard Case *Option to add Two IDX V-Mount Batteries and Charger for additional cost. *Am willing to go over setting up rig and basic operation in person.

Hello, For sale is a Steadicam Zephyr HD AB sled, with original arm, vest, HD 7" and rolling hard case. This item is in beyond good condition, a few minor scratches just from casual use. It was purchased from B&H at the end of June of 2014, and I can count on two hands the number of times it has been used. I am based out of Metro Detroit and willing to ship out of my area, as well as be available for local pick up. I am looking to get $8,500 O.B.O. for it as its just over a year old and is in great condition. Wish I didn't have to sell it, but due to health issues I am unable to use it anymore. Below is a list of included items as well as photos of the rig. You can contact me by email at ab@brighterflight.com Steadicam Zephyr telescoping centerpost/sled Adjustable iso-elastic arm w/slip cover for storage Steadicam standard vest Anton Bauer gold mount battery plate Dovetail plate Steadicam rolling hard case Docking bracket 4 middle weights 4 starter weights All necessary power and BNC cables

Hi, We've got a Steadicam Zephyr for sale; as brand new, only been used 6 times ! All original items included (training DVD, manual, hardcase, etc). 7 inches SD monitor. We're base near Montréal, Canada. Price : 6000 $ US + shipping (duties may apply) Contact : didier@didiermovies.com PS : C-stand not included

Hello guys, 
I’m selling my beloved steadicam set. Several decisions and other job opportunities are forcing me to sell my rig, with pain in my hear. It has never been rented and always well taken care of. Items are located in Belgium, but I’m willing to ship worldwide. Prices can be found below, but feel free to do me an offer. Photos can be found at this link: http://checkthis.com/84hl Email me or call me with your questions: jules (at) pain-perdu.be or +32 499 25 81 18 Best regards, Jules Debrock STEADICAM SLED (in heavy duty case) = ASKING 13 000 USD OBO PRO donkey box III PRO gimbal with MK-V tool-less modification (old GPI PRO module included) MK-V carbon tool-less post MK-V V3.5 HD J-box & D-box + post cable (with HDSDI video and special PRO cam power connector) Lightweight base (carbon rods) with one double vertical V-mount and one single V-mount XCS dual rod monitor support arm PRO 2”x5” wrap grip PRO 2”x2” wrap grip POWER (in pelicase) = ASKING 1 000 USD OBO 4 Globalmediapro 160Wh V-mount batteries (Li160S) 4-way simultaneous V-mount charger CABLES AND ACCESSORIES (in pelicase) = ASKING 2 000 USD OBO Long panavision rig cover Spare padded dividers for Pelicases BNC video/antenna cables Assortment of thin HD SDI BNC cables in various lengths XLR-XLR power cable Alexa bracket Artemis camera dovetail plate XCS 3/4” camera dovetail plate with 2x 15mm 8” rods XCS 1/4” camera dovetail plate PRO camera dovetail plate Derose camera dovetail plate Assorted mounting screws for all major camera systems 2x Panavision Small 2-pin (XL) camera power cable 2x Panavision large 2-pin (Flex) camera power cable 2x 24V Arri/Moviecam power camera power cable 2x 12V Arri camera power cable 12V high-speed Arriflex camera power cable RED ONE camera power cable 2x LEMO 8 video cable All tools for sled & arm service components for sled & arm Set of Klein T-hex drivers in all sizes Practice camera cage 2x AB to V-mount adapter plate Various BNC adapters Various Jerry hill bags Tiffen Steadicam standbag

Hello everyone! I had a quick question for everyone and hopefully somebody could help me. I am looking for some kind of weight plate I can throw underneath my camera and weighten down my rig substantially. Thanks!

Hi guys just bought my steadicam solo and im having some issue balancing Im using a canon 6D with 24-105f4 L but here's the thing sometimes I can balance it properly but usually when I leave it and try to switch from a slider and then go back to the steadicam solo it's always unbalanced I also trie 2 1/2 second drop time and 3 secs drop time Im using 2 weights (1 each side) any suggestions or maybe a link to a video how to balance steadicam solo cant seem to find anything on youtube thanks PS : Im a newbie in film making

For sale : Steadicam Zephyr HD v-mount. Item is located in San Francisco, CA. Pictures show whats included (exact item pictured though I didn't take photos of the item) and listed here: Steadicam Camera Mounting Chassis (Sled) Dovetail Camera Mount 2 x Lemo Power Connector 2 x BNC Connector HD monitor Zephyr Arm Standard Vest IDX V-Mount Battery Mount Docking Bracket BNC Video Cable Tally Sensor 2 x 801-7940 Steadicam Stage Weight Brackets - Missing Screws Case Looking for $6300 net (or best offer) to me shipped in the CONUS. In 9/10 condition. Bought it and it sat. Doing way more aerial work so going to invest into that. Message or post back. Thanks.

Hello guys, 
I’m selling my beloved steadicam set. Several decisions and other job opportunities are forcing me to sell my rig, with pain in my hear. It has never been rented and always well taken care of. Items are located in Belgium, but I’m willing to ship worldwide. Everything (and more) you need to start going! I’d prefer to sell it as one package, but splitting is an option if there are several people interested. I paid a little over 62 000 USD for this. Every reasonable offer is considered! More photos can be found at this link: http://checkthis.com/pir7 Some items in the description are not in the pictures but are included in the sale! Email me or call me with your questions: jules (at) pain-perdu.be or +32 499 25 81 18 Best regards, Jules Debrock STEADICAM SLED PRO donkey box III PRO gimbal with MK-V tool-less modification (old GPI PRO module included) MK-V carbon tool-less post MK-V V3.5 HD J-box & D-box + post cable (with HDSDI video and special PRO cam power connector) Lightweight base (carbon rods) with one double vertical V-mount and one single V-mount XCS dual rod monitor support arm PRO 2”x5” wrap grip PRO 2”x2” wrap grip STEADICAM ARM PRO (Titan) arm 4 light (blue) canisters 2 heavy (black) canisters PRO canister bag PRO arm carrying bag 4 arm posts with collars (4”, 6”, 8” & 10”) PRO ‘D’ handle low mode bracket raincover for arm VEST Tiffen Ultra 2 vest Cinema products 3A backup vest DP7 PRO HB MONITOR DP7 Pro High-bright monitor Aluminum trim for screen protector SmallHD 2GB USB flash drive DP7 Pro LCD screen protector Sunhood Neoprene sleeve Hirose to D-tap power cable V-mount plate + adapter kit MAGLINER, STAND & DOCKING ACCESSORIES Magliner Junior modified for steadicam Mag steadicam riser unit Mag steadicam vest holder Mag steadicam swing handles Magliner umbrella + clamp adapter Magliner Ipad holder Mag 5/8” nose pin Jerry Hill gorelock 2 docking bracket (complete system) + 2 docking rings 2 PRO docking bracket II Avenger low-boy stand with lockable wheels HARD MOUNT Walter Klassen aluminum tilting endblock Mitchell adapter plate with tie down Elemack (euro-mount) to mitchell adapter Manfrotto clamp Hardware and tools POWER 4 Globalmediapro 160Wh V-mount batteries (Li160S) 4-way simultaneous V-mount charger WIRELESS VIDEO Teradek Bolt set (updated version) - transmitter + receiver D-tap power cable mains power Steadicam AUX power cable Alexa bracket for transmitter Stand bracket for receiver REMOTE FOCUS RTmotion MK3 FIZ hand controller Small receiver 2 motors + 19mm rod clamps (15mm inserts included) Rail bracket for receiver 5 marking rings Cable for wired operation D-tap power cable Power cable to sled 3 batteries + charger Arri run/stop-cable Micro USB cable CABLES AND ACCESSORIES Long panavision rig cover Spare padded dividers for Pelicases BNC video/antenna cables Assortment of thin HD SDI BNC cables in various lengths XLR-XLR power cable Alexa bracket Artemis camera dovetail plate XCS 3/4” camera dovetail plate with 2x 15mm 8” rods XCS 1/4” camera dovetail plate PRO camera dovetail plate Derose camera dovetail plate Assorted mounting screws for all major camera systems 2x Panavision Small 2-pin (XL) camera power cable 2x Panavision large 2-pin (Flex) camera power cable 2x 24V Arri/Moviecam power camera power cable 2x 12V Arri camera power cable 12V high-speed Arriflex camera power cable RED ONE camera power cable 2x LEMO 8 video cable All tools for sled & arm service components for sled & arm Set of Klein T-hex drivers in all sizes Practice camera cage 2x AB to V-mount adapter plate Various BNC adapters Various Jerry hill bags Tiffen Steadicam standbag CASES Heavy duty sled case (sled + monitor) Pelicase 1650 (vest + arm) Pelicase 1610 (accessories) Stormcase iM2075 (remote focus) Pelicase 1400 (hard mount) Pelicase 1520 (batteries + charger)

Hi everybody In light of a lot of sports/steadicam related discussions I figured, why not share my experience. As some of you may know, besides being a steadicam operator, I’ve been an avid competitive gymnast for over 23 years. I just wanted to take the time to write up a small article about gymnastics and the steadicam life and how I feel the two have influenced each other over the past years. Comparing the two has made sense to me since the day I picked up a rig. Like many athletes, gymnasts spend years practicing and developing skills before entering official compeition. The same goes for steadicam, in the beginning, one spends a lot of time developing the strength and insight into what makes a great operator on smaller projects before being able to work on a feature film or a tv-series. Both disciplines (cause let’s face it, steadicam doesn’t involve sitting around doing nothing) require a great deal of strength and stamina. For me personally the two have had tremendous benefits towards one another. Due to my sports background I was able to quickly adapt the musclememory needed to operate this wonderful machine, in return, the more jobs I keep getting, the stronger my legs and back get, making it possible for me to achieve new heights in gymnastics (literally). Though a lot of attention has to be directed towards correct posture, stretching, preventing exertion, both operating steadicam and gymnastics require a bit more than just the physical aspects. I’m talking about the gear, Jerry Holway once told me “Give a master violin player a second hand piece of wood with strings and he’ll be able to play a song, give the same person a Stradivarius and it becomes art”. A great operator can achieve the best shot in the world with the right type of gear, as for a gymnast, this is very similar. I’ve seen a world class gymnast fall of a highbar during an olympic event final, because the flex of the bar was just a little different, the chalk didn’t feel right and 4 years later, that same guy had all the right elements to make “Art” and he brought home the gold medal. I take care of my rig the same way I take care of all the pieces of apparatus in the gym and they both continue to deliver wonderful results. Last part I wanted to touch upon was the matter of safety. Running with a rig down a slippery rocky hill or throwing yourself 4 feet in the air over a solid steel bar, just because that’s what people expect from you can lead to one of two things. Either you get a standing ovation for a fantastic running shot/catching the bar, or you end up breaking your neck. The fact that the latter hasn’t happened to me is because my coaches have always demanded a safe training environement, which I held dear to my heart. I carried on this habit from the moment I first started operating, every running shot I do, every hardmount I rig, every single precarious situation I encounter on set, safety is always my number 1 concern. The main conclusion for me is that both disciplines have had major benefits towards each other and I can only recommend combining sports with operating steadicam. Any other (former) athletes on the forum? I’d love to hear your take on how steadicam may have improved your performances or how your choice of sport has helped out in your operating. Greetings Nils

http://i60.tinypic.com/2pyb11l.jpg Anyone have an idea?? Thank you!

Selling originals Cinemaproducts EFP & III vest Both are old but confortables and ready to work EFP como with backup chest plate. 1200€ III vest fits very well. Small size. 900€

Hey everyone, I am new to this arena. I just want to establish that. I tend to ask a lot of questions, sometimes annoying questions about obvious things. These questions may seem obvious to a seasoned operator but this is how I learn, by asking dumb questions. Like this: How does an unestablished operator become a better operator? I thought this meant purchasing a smaller, affordable rig like a Pilot or Scout to practice with? I don't mean to purchase such a rig and then go directly to work on big shows. But that is what it seems like. This is a professional's forum and I appreciate being welcome to interact with all of the seasoned pros in this wonderful community. But how am I supposed to learn from you without asking obvious questions? To be taken seriously and not damage my fragile reputation, do I need to take out a loan from the bank and spend $30K - $50K on a real rig like the Ultra 2 or MK1?? Even though I have no experience whatsoever? That is the vibe I seem to be getting. When I mention the Pilot or Zephyr, if I sound like an amateur, it is because I am just that. I am just getting started on union shows as a grip trying to make a living and support my daughter. The Steadicam dream is very real for me but I am a little confused about how to approach these matters without seeming amateurish? Yes, I plan on taking a workshop. Yes, I know this is professional gear and the gear is a tool in which we use to perform a craft, so it must be the right tool. But I have to start somewhere, right? I have been reading a lot of posts for about a month now, and most of the what I am reading is buy a real rig, even though you have no experience operating. So I am supposed to invest $30K - $50K on a tool of which I have no experience to even be taken seriously on this forum? I am just trying to get to know you all better. Please forgive me for asking dumb questions. This is how I learn from you. : )

** Last Minute Opening ** Advanced Aesthetics and Stabilizer Systems Workshop Five Days - June 8-12, 2015 - Los Angeles (Post CineGear) Real Rigs! Real Cameras! Real Studio Sets! Real Actors! Real Lighting! Real World Training! 2:1 Student to Instructor Ratio Maximum of four students Our rigs or yours Due to an unfortunate family situation / cancellation, we have one very last minute opening in this highly customized workshop . Requirements: 2-3+ years active working on-set experience minimum. This workshop is for owner / operators who already have a solid command of the rig and are at the point that the physical operation of the rig is second nature. While we will certainly offer tips and techniques to refine your operating techniques, there will be no “line dances” unless you want one to warm up on. Our focus is on creative shot design, choreography, interaction with DP, Director, actors, other departments and the use of various stabilizer systems to create the perfect flow, emotion and composition to deliver the scenes. We will incorporate hands-on training with new stabilizer systems and technologies including Ronin to rig and other multi-axis systems. Intensive experience on all aspects of mobile platforms including rickshaws/variants, vehicle mounts and real camera cars! You will also work directly with gaffer and author Craig Burnie Burns of Burnie's Grip and Lighting and his crew during scene design to solve complex lighting challenges you will face in the real world. Four days of this workshop will be held at Silver Dream Factory in Anaheim using custom standing sets that include a hospital, police station and jail, diner restaurant, home interiors, retail shops and a Main Street style backlot. One training day will be a location based. Professional working actors in full wardrobe/makeup with pre-rehearsed scripts are included. Each scene will be choreographed, rehearsed, recorded and reviewed. All footage and stills will be sent to participants within two weeks or less. Bring a drive with you and we will ship it back to you. Lunch and craft services provided. You will leave this workshop with many new skills, new skills on new systems, a heightened awareness and understanding of shot choreography, camera motivation and the ability to offer a higher level of creative solutions to DP’s and Directors. Most importantly you will leave this workshop with the knowledge and confidence that you can meet most any challenge presented to you. Cost: $5,000 USD - Credit cards accepted and I may consider a short split payment plan to qualified individuals. Due to the very short nature of this opening / cancellation please contact me directly at robert@starling.com or via phone at 702-810-5707 - SERIOUS INQUIRIES ONLY PLEASE! Thank you!

Steadicam Master Series rig. Master Series Sled with 3 recelled master series batteries and 5-channel charger. The sled is SD and currently has a Bon BPM-071s HD-SDI/HDMI daylight viewable monitor. The monitor was just serviced and contains many new interior components. The sled comes in the original case from Cinema Products and The Monitor comes in a Pelican 1400 case. Master/Ultra arm. The arm had a complete servicing and rebuild with new bearings at Tiffen about 18 months ago, which cost around $2500. Since then the arm has received some superficial surface corrosion due to being packed in a pelican case in high humidity. The damage is all-superficial. The arm is in perfect working order. The arm comes with bag. Master Series vest. The vest shows signs of wear but it still works great and is in decent condition. Also comes with a bag Chrosziel Genio follow focus system with Hayden motor and 2 batteries. 15lb weight plate - A weight plate I purchased from Janice Arthur. Ideal for flying small light weight cameras on the rig. There's also a pelican case of accessories including Extra Rods, Power Cables, Extra Screws etc. Price - $13,000 The Rig is located in NYC. I'm happy to deliver in the area or ship nation wide. Any questions or if you would like to see more pictures please let me know.

Hi all, I currently own a Varizoom Aviator and have been in the market to upgrade to something that can handle more weight. At least in a 20-30lb max range. I came across the CAME steadicam carbon fiber stabalizer, and it's only $900 with a max out at something like 33lbs. It is made in China, but a lot of people are reviewing it, at least a lot of consumers. Of course I'm looking to get something made by Steadicam or Glidecam or any of the noteworthy brands, but do any of you have any opinions of have tested out one of these CAME guys? Please let me know!! Thank you. Link to product http://www.came-tv.com/came-2515kg-load-pro-camera-steadicam-video-carbon-stabilizers-p-88.html - James

Wow, where do I start... This is my baby that I have run for a long time, but need to let it go. Selling PRO sled with Cinema Products 3A gold spring arm, rebuilt Cinema Products 3A vest and many accessories. Vest and arm are from my original 3A system I bought back in 1994. I then upgraded to the PRO sled in the late '90's. All be it somewhat old, the whole system is still a great performing steadicam and well taken care of. The PRO sled is basically a V1 with a custom battery bracket for v-mount batts, 1.5" post, post extends 16" to 28". S/N 72 All connections work, but it is not wired for HD. PRO D-Box V1 (I believe), S/N 40, Still very smooth and comes with (2) camera plates. PRO gimbal V1, S/N 70, very smooth! Zacuto Monitor mount with 1/4-20 thread to mount a monitor of your choice. Also includes original PRO crt monitor mount. IDX 2-position battery fast charger. CP sled dock with telescoping spin balancing post (2) .5" motor rods that mount to D-Box camera plates PRO to 4-pin power/bnc video cable for monitor PRO to Movicam right angle 4-pin camera power cable PRO to Arri 4-pin camera power cable PRO to Arri right angle 4-pin high speed camera power cable PRO to Arri Fischer 2-pin camera power cable PRO to Panavision camera power cable (2) 60" thin BNC cables (2) 30" thin BNC cables Set of T-Handle Allen wrenches (2) blue post docking clamps Several 3/8" and 1/4-20 camera plate bolts PRO gimbal wrench Thermodyne hard case for PRO sled Cinema Products 3A arm with Gold Springs S/N 635, still works great, I have replaced the tensioning bolts and has always been cleaned and maintained well, repainted the arm spring covers. 6", 10" and low mode arm posts Arm soft bag Tensioning bolts are now 7/16 bolt that can be adjusted quickly with the included Ryobi drill Cinema Products 3A rebuilt vest, S/N 618, as you can see in photos it has many upgrades from original. No issues with vest. Pads are all removable and washable. Vest and arm come in a Pelican 1650 rolling case if bought together, if separated only vest comes with case. Reasonable offers accepted. Buy it all or let me know what you want. Cheers, Craig

Hello All! I fly a Master Series rig and I am looking for a J-Bracket to use on a shoot this sunday. If anyone in LA has one I could rent or for sale please let me know ASAP! Thank you! And I am sorry if this is in the wrong place on the forum I am in rush to find one.