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Found 8 results

  1. Selling my Artemis with everything you could need for transport, power and camera support. All gear was never loaned or rented, and always treated like royalty. Asking 28k, Located in NYC, willing to ship at buyers expense, but priority given to local buyers first. Not looking to part out. Arm and Vest NOT included as I am keeping those. For a full gallery please look here. Full List: Cases: 3x Pelican Storm iM2450 with pad Pelican iM2950 Storm with pad Power: 6x "Switronix HyperCore GOLD 150Wh (14.8V, 10A)" Anton Bauer TM4 Core SWX Fleet Q Gold Mount Four-Position Charger Core SWX GP-TA Gold-Mount Hotswap Power Plate Adapter Anton Bauer SO-XLR 4-pin XLR Snap-On Plate Transport: American Grip Steadicam LS32 American Stand Leg Adaptor Wheels Inovativ Scout Evo 37 Inovativ Steadicam System Inovativ Stand Hanger Video & Focus: Teradek Bolt Pro 300 TX Teradek Bolt Pro 300 RX Bartech Handset Heden M26VE Motor fStop Wireless Receiver v2.1 Run/Stop cables for Arri cams 2x Rechargeable D Batteries w/ Charger Steadicam: SmallHD 703 UltraBright On-Camera Monitor Blackmagic Design Video Assist Arri Artemis Cine Broadcast 1.8in Artemis Docking Bracket with Pivot Yoke Upgrade, 1.8in Cam-Jam QUATTRO II Monitor Arm with integrated yoke Artemis Focus Bracket Steadicam Support: Artemis Camera Dovetail Plate, 8in Cat Griller 16x9 Cine Lock Quick Release Arri Alexa EVF Adapter 18” PA Long Plate w/mount accessories Various screws, tools and other accessories. Can be detailed separately. Steadicam Cables: "Aux Power, Lemo 0B 2pin" "Cam Power, Cine, 12V, HiCap, ALEXA" "Cam Power, Cine, 12V, XLR, HiCap" "Cam Power, Cine, 24V, ALEXA Mini" "Cam Power, Cine, 24V, Fischer 2pin" "Cam Power, Cine, K2.0010540 12V, HiCap, ALEXA Mini" MultiTap Breakout Cable
  2. Steadicam Ultra Cine Complete Package FOR SALE Complete Ultra Series kit all you need package to get started, so great for someone looking for their first rig. Not had a lot of use in the time I have owned it but well looked after and arm was last serviced at Optical Support. I bought this kit in 2015 and before me it was rental gear owned by ProCam. Apparently last job it went out on was Kickass 2 or so I was told. The kit comes with lots of cables to power both Arri and Panavision film cameras, and also Arri Alexa. Older RED ONE power cable which could be updated to work with epic/dragon. CASES · Large Hard wheelie case for Sled + Monitor · Large Hard wheelie case (can fit vest + arm and more) · Smaller Hard Case for cables + various bits · Wheel case for Arm - Branded Browning 5015 but it is exact same as Peli 1710 (foam is fresh/uncut) SLED · Ultra Cine Sled (motorised top stage + wireless remote) · 4 section Carbon Fibre Composite Telescoping Post with range from 28” to 71” ( 71cm to 180 cm ) · Upgraded to HDSDI · 12/24v Battery Mount V-Mount · Tilt Head (+ or – 20 degrees from horizontal) · Frame line generator (only when in SD) MONITOR · 8" Ultrabright2 HD Composite Monitor · HDSDI to SD down convertor Black Magic Mini (works with all cameras red/alexa/sony etc) ARM + sleeve · Ultra Arm 20 – 50lbs · Tool free side to side adjustment · 3 x arm rods 3” + 6” + 12” Recently serviced by Optical Support VEST + bag · Ultra Vest · Titanium Socket Block IDX VLOCK BATTERIES · 6 x IDX HL9 Batts · 1 x 1550 Peli Case · 1 x Hawkwood Plate dtap/hirose (VL CA2) · 1 x 4way VL-4S Charger + kettle lead VIDEO CABLES (see pics) · Various Lengths of BNC – mostly skinny from a few inches to 6’ long POWER CABLES · 2 x Arri (1 is 12v and 1 is 24v) · 1 x 12v 4pin · 2 x PV · 1 x RED (red one) · 1 x unidentified · 1 x unidentified STANDS · Lightweight C-Stand · American Stand with 8” Pneumatic Wheels MISCELLANEOUS Sand Bag Long Dovetail Plate Short Dovetail Plate (low mode) Low Mode Slanted F-Bracket Arri Alexa Plate Sony VCT Plate Brass Weight plate Small lead dovetail lead weight 4 x Screw, 3/8-16 2 x Screw, ¼ -20 Tiffen Docking Bracket + bag Stabilizing Vectran Line 4x 15mm rods RAIN COVERS · Ultra Arm Protective Covers, Dual Section · Ultra Bottom Sled Cover & Battery Protective Covers VEHICLE HARD MOUNT + case · Mitchell/MOY base + removable keyway · Socket Block + damage to plastic tie nuts, but still works fine WINDKILLER + sleeve · Hardly used Sunbounce Pro Windkiller I will also include · Arri Medium size Bag · Various BNC pieces · Cable Pouches · Blue space blanket · Various allen keys + tbar tool · Steadicam Operator's Handbook · Ultra Series Manual + Brochure And finally my VHS practice camera (see pic mounted on sled) Works great with the brass weight plate and is similar to a full build amira in weight. Recorder works great so you can practice at home and watch back your shots. I have converted the power so it works with regular V-Lock batts and the camera also comes with a case. ASKING £16000.00 Thanks for looking, please contact me on here or direct to andrewbradley@live.com KIT located in Portsmouth, UK. Thanks Andrew
  3. Steadicam Ultra Cine Complete Package FOR SALE Complete Ultra Series kit all you need package to get started, so great for someone looking for their first rig. Not had a lot of use in the time I have owned it but well looked after and arm was last serviced at Optical Support. I bought this kit in 2015 and before me it was rental gear owned by ProCam. Apparently last job it went out on was Kickass 2 or so I was told. The kit comes with lots of cables to power both Arri and Panavision film cameras, and also Arri Alexa. Older RED ONE power cable which could be updated to work with epic/dragon. CASES · Large Hard wheelie case for Sled + Monitor · Large Hard wheelie case (can fit vest + arm and more) · Smaller Hard Case for cables + various bits · Wheel case for Arm - Branded Browning 5015 but it is exact same as Peli 1710 (foam is fresh/uncut) SLED · Ultra Cine Sled (motorised top stage + wireless remote) · 4 section Carbon Fibre Composite Telescoping Post with range from 28” to 71” ( 71cm to 180 cm ) · Upgraded to HDSDI · 12/24v Battery Mount V-Mount · Tilt Head (+ or – 20 degrees from horizontal) · Frame line generator (only when in SD) MONITOR · 8" Ultrabright2 HD Composite Monitor · HDSDI to SD down convertor Black Magic Mini (works with all cameras red/alexa/sony etc) ARM + sleeve · Ultra Arm 20 – 50lbs · Tool free side to side adjustment · 3 x arm rods 3” + 6” + 12” Recently serviced by Optical Support VEST + bag · Ultra Vest · Titanium Socket Block IDX VLOCK BATTERIES · 6 x IDX HL9 Batts · 1 x 1550 Peli Case · 1 x Hawkwood Plate dtap/hirose (VL CA2) · 1 x 4way VL-4S Charger + kettle lead VIDEO CABLES (see pics) · Various Lengths of BNC – mostly skinny from a few inches to 6’ long POWER CABLES · 2 x Arri (1 is 12v and 1 is 24v) · 1 x 12v 4pin · 2 x PV · 1 x RED (red one) · 1 x unidentified · 1 x unidentified STANDS · Lightweight C-Stand · American Stand with 8” Pneumatic Wheels MISCELLANEOUS Sand Bag Long Dovetail Plate Short Dovetail Plate (low mode) Low Mode Slanted F-Bracket Arri Alexa Plate Sony VCT Plate Brass Weight plate Small lead dovetail lead weight 4 x Screw, 3/8-16 2 x Screw, ¼ -20 Tiffen Docking Bracket + bag Stabilizing Vectran Line 4x 15mm rods RAIN COVERS · Ultra Arm Protective Covers, Dual Section · Ultra Bottom Sled Cover & Battery Protective Covers VEHICLE HARD MOUNT + case · Mitchell/MOY base + removable keyway · Socket Block + damage to plastic tie nuts, but still works fine WINDKILLER + sleeve · Hardly used Sunbounce Pro Windkiller I will also include · Arri Medium size Bag · Various BNC pieces · Cable Pouches · Blue space blanket · Various allen keys + tbar tool · Steadicam Operator's Handbook · Ultra Series Manual + Brochure And finally my VHS practice camera (see pic mounted on sled) Works great with the brass weight plate and is similar to a full build amira in weight. Recorder works great so you can practice at home and watch back your shots. I have converted the power so it works with regular V-Lock batts and the camera also comes with a case. ASKING £16500.00 Thanks for looking, please contact me on here or direct to andrewbradley@live.com Thanks Andrew
  4. Hey everyone! I'm selling my Bartech BFD because I've had a slight career shift and my new work doesn't need the beefier setup of the BFD and M-One Motor. Everything is in used condition, but works great. I have lots of detailed photos and I'm happy to take specific photo requests if you have something you want to see in detail before buying. I'm including everything pictured (except the table or cyc wall). There's a lot in this kit, but I'll break it down as best as I can. Frankly, there's a few cables that came with the BFD when I bought it that I'd be unable to identify properly, but I've included the detailed pictures of all cables and connectors. Here's what's in the kit: Foam-Fitted Handheld Case An ORIGINAL printout, analog paper Manual with OEM staple. Bartech BFD Wireless Transmitter - Handheld Focus Puller (S/N T1.0154) Spare Markers for BFD BFD Hardwire Cable. 25' Cable connecting the Transmitter to the Receiver in case of signal loss or faulty connection. Works great on jibs or cranes. (Reference: Image B) Bartech BFD Wireless Receiver (S/N R1.0154) Horizontal and Vertical Mounts (15mm and 19mm) New Antenna (Not pictured; I lost the original plastic antenna cover, but ordered an entirely new OEM replacement antenna.) BFD Receiver Gimbal Mount - Hard-wire Remote Control for use on a Steadicam, Movi or Ronin. (Reference: Image A) M-One Motor (S/N M-1.0010) Six gears with varying pitches for different size lenses: 0.8m - 32P (2x), 0.5m, 48P, 0.4m - 64P, and 0.6m 15mm, 17mm and 19mm rod adapters for proper mounting fit Misc Hardware for Receiver Mount and replacement screws Additional Cable Assortment 3-Pin male to 3-Pin male LEMO long hardwire power extension cable (Looks to be about 10-15 feet long. I can confirm if you'd prefer, just let me know!) (Reference: Image H) 5-Pin male to 5-Pin male LEMO connector cable from receiver to motor (Reference: Image D) 3-Pin male to 2-Pin male LEMO to power receiver from Steadicam Zephyr (and others with similar 3-Pin connector) (Reference: Image I) Anton Bauer D-Tap male to 2-pin LEMO male to power the receiver from an Anton Bauer battery or V-Mount adapter with proper D-Tap connector. (Reference: Image G) 12V 4-Pin XLR male to 2-pin LEMO male presumably powering the receiver off of beefier film cameras or battery connectors (Reference: Image E) Unidentified 2-pin male LEMO to a fun, half 2-pin male, half 2-pin female connector that I've never seen before or needed to work with. If you recognize it, you get bonus points. (Reference: Image F) I think this last one is an old Panavision connector, if memory serves. But, I'm really not certain on this one either. It's a half 1-pin male, half 1-pin female LEMO connector and a fat 11-pin male connector on the other end. (Reference: Image C) Price: $3750 USD FREE SHIPPING to USA. Will provide quote for international Shipping. Payment via Paypal for Shipping or cash for Local Pickup: Boston area) Pictures attached:
  5. PRICE: €5000 Selling my Cine Tape/Cini Remote kit. All in good condition. Set comes with: -Display w/ 1/4-20 threaded mounting bracket -Horns w/ tube extension -Pan/Tilt head -Clean’s Cine Tape bracket -Cini Remote Display -Cini Remote Tx -4x antennas -2x D-tap power cables -2x Arri-RS power cables -2x Horn cables -2x Cini Remote Tx power/data cables -2x WCU-3/4 to Cini Remote Display power cables -Cini Remote Display 9 Volt block power adapter -2x custom 3D printed sunshades -case Buyer is responsible for shipping, customs, taxes. Käufern aus Deutschland wird 19% USt. in Rechnung gestellt. If your business is within the EU you have to have a valid VAT-ID. Otherwise 19% VAT will be added to the invoice. ONLY B2B!!
  6. Take the camera and RunAs happened to me quiet a few times lately (and I have the feeling it will keep on happening) I found myself in one of the shooting situation I dislike the most, which is when more or less suddenly the 1st AD tells me :”Put in that van everything you’re gonna need for the rest of the day, we’re moving to a new location which is an hour drive from here. Don’t forget anything, be fast and please… keep it simple!”. Of course I’m not speaking about situation where this was in the callsheet, in that case it is pretty easy to be prepared. I’m speaking of those times when a sudden change comes up (rain on location, new shooting plan, talent’s agenda variations and an awful long etc.) and we need to improvise, which is from my point of view one of the most important skills of a good AC. I’m pretty sure that some of you came up quickly with an answer like :”Ask the DoP!” and even though it is logic, if life was so easy everybody could be a top notch assistant cameraman. Normally, when this kind of situations happens, there has been an important change in the order of the shots, so is pretty likely that the DoP has his hands full speaking with the gaffer and/or the best boy about the new situation, discussing with the director all kind of lighting issues etc. Of course the camera crew also will need confirmation from him, but is gonna be... More info HERE
  7. This post no is appropriate to this section but the forum Steadicam yet hasn't a lens section and i think that is necessary to the issue in question. Fujinon Cine Cabrio Zooms: More than a Convertible, an Off-Road. ...The first big pro is the weight and the size: ENG style operators will still probably find them a little heavy,but we have to keep in mind that there is no other cine-style zoom lighter than 3 kg with such a focal range. In fact, they are a little heavier than the Angenieux DP style, but the focal range is much wider, while the Angenieux that has the closest one (19.5-94mm) weights about 6 kg and has a front diameter of 136mm, wich requieres a 6x6 mattebox This takes us into the second big pro of these glasses: focal range. Even though I prefer prime lenses, I can think about quite a few number of situation where this zoom would be the best choice. For instance, being that light can be mounted on a steadicam and the operator would need to balance the camera just once for the whole day, but having at his disposal a full set of focal distances. Speaking of wich, another very interesting thing about this zooms for steadicam operators is that the servo can control the tree rings, so with the help of a dedicated cable it is possible to connect it with the brain of a FIZ system and control the 3 axis wirelessly without the need to attach any motors, which is much better for weight and balance.... For more information click here Fabio Giolitti - Focus Puller
  8. Hey ops, Just curious what your thoughts are on the new Cine Bats from AB. To me they look too chunky and square. Obviously the specs look great but real, in the field, use is always better. These are the ones I'm talking about. http://www.antonbauer.com/en-US/Shop/cine-batteries CHEERS
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