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Rig

Found 2 results

  1. I've been opperating since Collage with a rig that has not made "getting the shot" easy. The vest rotates and pulls, the arm is not very articulate and far from isoelastic and the sled, well it's there. It's all I had money for but I've always loved moving cameras and Steadicam is my passion and path in life so I made due with what I had and as a result I was the "go-to Opperator". I'm trying to change all that and break into the professional world so I dug deep in my thin pockets and bought a used rig to hold the heavier cameras (with accesories attached) and mount the camera properly on my back. Here is my current reel which was hard to make because some of the pieces are SD and there's not as much Narrative in there as I wish because of the lack I've gotten back from the "no-budget" productions I've worked on. Please rip it apart and give me tips of the trade, I'm ready to take this thing professional and want to make a name for myself. Thanks a million, happy flying.
  2. Hey guys, I've just finished editing my first real steadicam operator's reel and I'd love to hear some feedback from veteran operators. Please forgive the three or so obvious non-steadicam shots, but my initial idea to include them is that operating is operating, right?
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