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Showing results for tags 'steadicam'.
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Hey everyone, Been using the Steadicam Pilot for a few years, on a very occasional basis and I'm generally very happy with it. Tempted to upgrade to the Aero 30 as I'm now mostly flying Red cameras, but in the meantime the one thing I'd like to look at is upgrading the crappy Merlin/Pilot vest with the plastic chestpiece of doom. Any recommendations for something a little sturdier, not too expensive and that can easily take the pilot arm? Thanks all.
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G70 Arm in excellent condition, with soft bag. Original owner, purchased from Steadicam in 2012. $12,000 USD or Best Offer Arm is located in Burbank, CA and can be dropped off at Tiffen for inspection.
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Steadicam Ultra 2 full package. This is the full blown version with motorized head and remote. Very good shape and all working. Used but well cared for. Six V-mount batteries (IDX) and 4 battery charger. A couple extras as well, vehicle mounting plate and low mode bracket. For sale priced to move. Everything you need to fly. Feel free to contact me with questions or offers. Asking: $34,500 (USD) Thanks Jon jonnye1970@gmail.com
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Hi guys, I'm looking for steadicam vest and gimbal, DB2 (for my 3a and master arm) If has it someone, just let me know (expected price and condition of them, and etc) Thanks a lot for your attention (My e-mail is lomoon5@naver.com) -
Looking for a Stanton zoom controller for rent for a 1 day shoot in July. Any suggestions on who has one willing to rent? Thank You
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Preston MDR 2 with G4 transmitter with stop/ start cables and power cables for most cameras. Great back up if you MDR3 goes down. Very good condition- bought new from Preston- single owner. Also, great to leave on your sled to do double duty with your existing FIZ 3 setup. You can leave your MDR 3 on your conventional camera (A or B camera) and use this MDR for Steadicam. Comes with two different MDR mounts and hardware. Price: $3000.00 Happy to answer any questions or take any additional photos for you.
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Take the camera and RunAs happened to me quiet a few times lately (and I have the feeling it will keep on happening) I found myself in one of the shooting situation I dislike the most, which is when more or less suddenly the 1st AD tells me :”Put in that van everything you’re gonna need for the rest of the day, we’re moving to a new location which is an hour drive from here. Don’t forget anything, be fast and please… keep it simple!”. Of course I’m not speaking about situation where this was in the callsheet, in that case it is pretty easy to be prepared. I’m speaking of those times when a sudden change comes up (rain on location, new shooting plan, talent’s agenda variations and an awful long etc.) and we need to improvise, which is from my point of view one of the most important skills of a good AC. I’m pretty sure that some of you came up quickly with an answer like :”Ask the DoP!” and even though it is logic, if life was so easy everybody could be a top notch assistant cameraman. Normally, when this kind of situations happens, there has been an important change in the order of the shots, so is pretty likely that the DoP has his hands full speaking with the gaffer and/or the best boy about the new situation, discussing with the director all kind of lighting issues etc. Of course the camera crew also will need confirmation from him, but is gonna be... More info HERE
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Hello all, I'm currently doing the proper research to assemble a rig in the near future, and I've tried out numerous vests and these two are my favorite so far. Just want to know if anyone has had any particularly good or bad experiences with either, just to help me weigh out my options. Thanks!
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Perfect operating condition. Arm was upgraded from g70 in 2013. Two arm posts transport sleeve I also have two arm posts to use this with a Pro / Artemis sled (extra charge). Price: $8500 Arm is located in New York City (Westchester to be precise) and can be inspected upon request.
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This post no is appropriate to this section but the forum Steadicam yet hasn't a lens section and i think that is necessary to the issue in question. Fujinon Cine Cabrio Zooms: More than a Convertible, an Off-Road. ...The first big pro is the weight and the size: ENG style operators will still probably find them a little heavy,but we have to keep in mind that there is no other cine-style zoom lighter than 3 kg with such a focal range. In fact, they are a little heavier than the Angenieux DP style, but the focal range is much wider, while the Angenieux that has the closest one (19.5-94mm) weights about 6 kg and has a front diameter of 136mm, wich requieres a 6x6 mattebox This takes us into the second big pro of these glasses: focal range. Even though I prefer prime lenses, I can think about quite a few number of situation where this zoom would be the best choice. For instance, being that light can be mounted on a steadicam and the operator would need to balance the camera just once for the whole day, but having at his disposal a full set of focal distances. Speaking of wich, another very interesting thing about this zooms for steadicam operators is that the servo can control the tree rings, so with the help of a dedicated cable it is possible to connect it with the brain of a FIZ system and control the 3 axis wirelessly without the need to attach any motors, which is much better for weight and balance.... For more information click here Fabio Giolitti - Focus Puller
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Hello All! As an OP on the newer side, I have been trying to figure out what rates are appropriate to charge rental/operating. I have read a ton of forums and there are a bunch of mixed answers. I also see that it is a topic that we are not supposed to disclose amounts and rates. However there is a great deal of fuss that goes on about steady-newbies and Lowballing rates. While I personally do not want to lowball my rates on accident where it effects other ops, I also feel the need to respect the experienced ops out there, who have many more years of experience than I do, and not charge the rates they/you do. That all being said, does anyone have good input on what is appropriate and what lowballing is? I understand we can't discuss numbers, however I don't understand what a "lowball rate" or a Disrespectful high rate even is because theres no definition, guideline, or range. I have seen some people say you have to kinda fish around and see what rates you can charge, However if you're relying on producers to tell you what you're worth, I feel like thats cutting yourself short and in essence, lowballing. For some context lets say you own a 50k "big-rig" with ff, transmitter, and accessories. As a Side Note: I also see that location, and equipment can shape rates. However, I've seen where years or experience doesn't affect the price sometimes for example Ive seen an OP going on 26years with an 8hr rate that is the same as a guy who's going on 2years. If anyone has any input please feel free to post responses or PM me. Thank you for your time!
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Hello everyone, I recently purchased a Canon 750D which I use to film short films. I'm relatively new to the world of DSLR's and noticed that my camera was very shaky, to the point where some footage is almost unusable despite the fact I used a shoulder rig. I looked into getting a gimbal after seeing how effective my friends one was, but even though my camera and lens combination was in the weight limit, I couldn't get the gimbal to balance and had to send it back. I think I couldn't balance it because my lens was weighed more than my camera. My camera weighs 604g and my lens of choice (a Sigma 18-35mm) weighs 842g. I spent more than £600 on that lens recently and love the look of it, so I don't really want to change it. Does anyone know a combination that would work with my Canon 750D and Sigma lens? I was looking at a Zhiyun Crane 3-Axis Gimbal but am hesitant about spending so much money in case I can't get a refund. Also, can someone tell me if I need a gimbal, could a steadicam or glidecam act as a cheaper alternative? All I'm really looking for is a perfectly smooth image, I'd rather have something portable and handheld too. Thank you! -
I am selling my digital receiver for my Bartech. here is a link to the ebay https://www.ebay.com/itm/182555572100 If you want to make an offer lemme know. Benjamin Casias STEADICAM/CINEMATOGRAPHER BenjaminCasias.com 818.850.2216
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Arri WCU-4 & UMC-4: lens Mapping | Ideal for steadicam I don’t know what you guys think on this matter, but if you want my two cents it is crucial to be fast when you change the lens while using remote control systems, in situations such as steadicam, cranes or simply hand held when the cam operator wants to be more free than with a standard follow focus. Previously I used to prepare pre-marked rings during camera prep and switch them while the motor were calibrating, but I always dreamed about a more precise and reliable system. A couple of months ago, a local distributor of ARRI products hosted a workshop on how to map lenses on the new WCU4, but sadly I wasn’t in town so I couldn’t attend. So I thought that I could try by myself with nobody explaining me how to do it. This way I could test how really easy and fast it is and if it is well designed enough to be “dumb proof”. As usual I need to thank guys at Camaleon Cine who offered me the possibility to have an Alexa XT Plus, an Amira, one set of Zeiss Standard Prime T2.1 and one of Cooke S4i T2, plus a Fujinon Cine Cabrio 19-90mm T2.9. Aside of that a WCU4 with CLM4 motors and a UMC4. The choice of the lenses and of the cameras was due to the fact that I wanted to test the method with and without lenses with LDS system and... More info HERE.
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SequenceShoot: The great Orson Welles used to say :”A long-playing full shot is what always separates the men from the boys. Anybody can make movies with a pair of scissors and a two-inch lens.” And as usual, the master was totally right. Thanks to movies such as “Children of men”, “Gravity” or “Birdman” (and a lot more) the sequence shots are once again very popular and with the help of digital cinema that removed several limitations we previously had (such for instance the time limitation of 10 minutes due to the size of 35mm film magazines), this kind of shot has become RELATIVELY easier (or at least possible even for small and medium-sized productions). The capital letters are on purpose, since shooting a one-shot sequence is still an extremely complicated thing to do, the longer the harder. Last week, a friend and DoP offered me the chance to pull focus on a short movie which would be shot on a single shot of approximately 1 minutes length, in a studio with 9 actors. The camera would be the whole time on a J.L. Fisher dolly with rubber wheels to not disturb the actors with tracks and... More info here. Fabio Giolitti - Focus Puller.
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I'm Greg Smith and I've been an operator for over 21 years. I'm now taking my on-hands camera operating experience to offer one-on-one Steadicam lessons for operators of all levels. For anyone interested in learning Steadicam or elevating their operator skills, please take a look at my website and feel free to contact me for more information. www.steadicamlessons.com My reel is here
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Brand new compact rickshaw for sale. Mobile, quick setup, and a smooth ride. PM me if you'd like to give it a test. $2250.
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Selling a complete GPI PRO Steadicam Package. Everything is in like new condition and ready to use. Kit is located in LA. New package price is over $60K. Selling for $49,500 or best offer Package consists of: - PRO Arm w/ 6 canisters 4 x Black and 2 x Blue Long Arm Post Short Arm Post - PRO Sled Donkey Box III w/ T bracket HD Centerpost II Complete HDSYS Complete w/upper and lower junction box Dual HD Center Post Cables Complete Battery III Module VZ Gimbal Telescoping Monitor Support w/ Monitor Arm Post Clamp D Bracket Handle for Low Mode 9" Camera Plate 12" Camera Plate Custom Alexa Camera Plate Preston MDR Mount - PRO Vest - Nebtek Solar56HD High Bright Monitor Nebtek Level w/ Lemo Cables for PRO Custom Cage for Monitor - 5 x Power Cables & various BNC cables - Spares kit, PRO Custom Tools, Camera Screws, Allen Wrenches, Anton Bauer Cheese Plate - Jerry Hill Dock w/ 2 x rings - American Grip Stand w/ wheels and case - Custom Storm Cases, Arm Bag, Canisters Case
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Hey All, Up for sale is an excellent condition Steadicam Zephyr. Lightly used over the past couple years (maybe 15 times) and decided it should go to a good home where it will get more use. I am the only owner, purchased new from B+H, shot some great footage with it, I love it, just don't use it enough. Steadicam is located in Michigan. This kit brand new at B+H is $10,495. KIT INCLUDES Steadicam Roller Case Standard Vest Arm Zephyr Sled HD Monitor 7" All standard parts such as: Dovetail Balancing Dock Manual Misc Cables Additional Accessories Included: $1,300+ 2nd steadicam AB battery mount Zephyr low mode bracket Extra end and middle weights Custom Zephyr to Red Epic Power cable Custom Zephyr to Red One power cable Zephyr sled to PTap cable Bnc cable Misc cables TOTAL PACKAGE IS OVER $11,800.00+ Asking $7,999.00 OBO Buyer pays shipping and paypal fees. Local sale preferred, but willing to ship within US. For more info: https://www.bhphotovideo.com/c/produ...ilizer_AB.html This setup is great for anyone looking to get into Steadicam or for a backup to a bigger rig. Can fly Epic, Weapon, Alexa Mini, etc. Any offers and questions, please feel free to reach out to me- Joshkrzywonosmi@gmail.com Thank you
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Hello all, doesn't seem like there are many of these on the market other than buying brand new. I am at the point where I'm leaning towards just buying one from tiffen but wanted to first post and see if anyone was looking to sell their Shadow-V with G70x Thank you! Feel free to email me: Hudsonmstafford@gmail.com -
Hi All, I had this vest up for sale earlier, with some damaged backing -- after further thought, I decided to get it repaired before selling it to anyone. Hopefully the mods are okay with this old vest in a new post... In any case, here's an Ultra 2 vest in used, but good condition. With all new backing! (pics included) No cracks or fissures in the back/shoulder strap plastic! Fully functional, and works as intended. It's got scuff marks, and wear from normal use, but the ratchet straps are still flexible and toothy, velcro is sticky and all the metal hardware is in good shape. There's one modification I made: I have it so that you don't have to unclip the crossback strap on the left side to exit the vest. Other than that, this is a standard Ultra 2 vest. $2750 (USD) OBO. Buyer to pay shipping, VAT, etc (if applicable). Paypal preferred (I ship to confirmed addresses only) Let me know if you have any questions! Beau
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Selling my Glidecam Gold rig. Great solid rig for all types of work. Six Titanium springs allow the gold arm to handle a combined camera and sled carrying capacity of 56 pounds. For added strength and durability the vest and arm connectors are also made of Titanium. The arm and vest have Industry standard connector, so the arm can be used with other vests and the vest with other arms. The sled has an upgraded gimbal for even smoother performance. 1 Gold arm 1 Gold sled 1.5 " with Baer-Bel CamTec Gimbal and internal tally wiring 1 Gold series gimbal (extra gimbal) 1 Gold vest modified with additional straps 1 C-Stand 1 Glidecam docking bracket 1 Transvideo Rainbow II 6.5 SBL monitor with mounting plate 1 Redbyte Decimator 3G/HD/SDI converter 1 Pro VCT-U14 quick release plate 1 Pelican 1650 case Tally system, several connection cables and small parts Price: 8.000 € To speed up the communication, please contact me by e-mail if you are interested or have any questions: brenootranto@gmail.com
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Hey everyone, I have my Tiffen Ultra 2 Vest up for sale. I've personally owned the vest for four years now after I purchased it used. It has the normal wear and tear you would expect. The back lumbar pad has some velcro that's worn out but I will have that replaced by the time the vest ships out. I have the original thicker pads for the shoulders and the new thinner pads as well. The vest only includes the thicker waist pad. I will also include the original blue rip chord in addition to the black one. $2,800 OBO, buyer pays shipping. E: aaron.gantt@gmail.com C: 704.322.6889
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For anyone interested in learning Steadicam. Greg Smith, a well-known camera operator, is proud to announce the launch of his new website, www.steadicamlessons.com Greg is taking his 21 years of his own on-hands camera operating experience to offer one-on-one Steadicam lessons for operators of all levels.
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Hello, I'm selling my SD Tiffen Steadicam Pilot. I bought this as my first rig and I am the second owner. It is in really great condition and comes in the original kit as Tiffen sold it. The only thing broken is the original stand. I got the stand repaired by Tiffen until they no longer carried the pieces to fix it. The clamping mechanism on the riser post on the stand is broken. I can send more detailed photos if you desire. The rig is perfect for dslrs or camera weighing in the 5 - 10 lb range. Here is a link to the manual of rig I am selling with the OG Michael Craigs! http://www.tiffen.com/userimages/Steadicam_Pilot_Manual_sm.pdf Asking $1500 or best offer
