Jump to content

steadicam workshops


dannybishop

Recommended Posts

Hello everyone,

 

I read with interest Gordens e-mail and like him I am going to do a steadicam work shop in the US and am hoping to do one in the next couple of months. But my question is slightly different. I have been doing my own research and was wondering if anyone could give me advice on what course to come over and do in the US as I live and work in London. Its obviously a big deal, as I'll be spending alot of money to come over and I want to make the right decision..

 

I have some experince and have access to a rig here and I am starting to put alot of practice in and have worked on shorts/music promos etc, but now I want to do a course.. and would just like to hear peoples opinions and experinces on courses and any other helpful hints about them..

 

thanks very much

 

danny

Link to comment
Share on other sites

  • Premium Members

Although I am bias, I'll throw this out there anyway. The SOA workshop in Pennsylvania is a great workshop. I will not toot our horn too loud here, but I am sure others will agree. Please feel free to read all about our workshop on our web page SOA. If you have any questions please don't hesitate to ask. Especially here where others who have been to the SOA workshop can help answer. Good luck with your decision, with all the good choices I am sure it's not easy.

 

Jay Kilroy

VP, SOA

Link to comment
Share on other sites

  • 2 months later...
  • Premium Members

I have done a few different courses in the U.S. on the East Coast and the West. Without a doubt the best course that I have taken (along with many other Ops that done multiple courses) is the PRO-GPI workshop. The only problem is that they had to cancel the latest one. If you commit to coming to the US that may pose a very expensive problem.

 

The major difference with the PRO vs. other forms of training is that at the PRO workshop they have some of the most respected and talented Steadicam Ops in the world helping out. The past workshops have had the likes of David Emmerichs, Chris Haarhoff, Jacques Jouffret, Mark O?Kane, Greg Lundsgaard, James "Jimi" Muro, plus many, many more. Watching how all of these great Ops operate differently is incredible. It allows the student to try out different methods of using the Steadicam rig. They may not be professional teachers, but they all have such a strong grasp of how to use the rig along with years of trial and error on sets around the world in different types of shooting conditions. I learned how they approach a particular shot, from first hearing about it to setting the rig, practice, practice, try a different way, practice then execute. The feedback that I received from all of these operators at the PRO days changed my skill level and technique about 60%-70%.

 

The other great aspect was the PRO workshop used a variety of professional film camera set ups (Panavision 35, ARRI 35mm, ARRI 16mm, plus video and others, all able to change lenses and matte boxes and mags). Using different cameras change the entire dynamics of "flying". The other workshop I took had only video with steel weight cages (though I hear that this may have changed).

 

Before I go on, let me say that the experiences at the "other" workshop are from Four years ago. The program that they teach now may be entirely different.

 

The major problem that I had with the other workshop is that they teach basically only the CORRECT way to operate. This is fine for a beginner but it leaves a lot of other great techniques outside the realm of their lessons. I have found that there is not a correct way to operate a rig. Some like a fast rig and others like it slow. Long post vs short post. Low mode hand above vs. below. monitor in close, or far. Yoke hand close to gimbal vs. closer to and resting on the arm. Keeping the rig/camera flat (not setting tilt) and booming for height adjustment etc. etc. I could go on and on about different ways to achieve a particular shot that I learned at the PRO workshop. Yes I took notes, I had to.

 

The other workshop never had us work on what is in my opinion one of the most difficult aspects of Steadicam: Not what the DP wants but what they DON'T want. For example, the lights, flags, the boom operator, cables, etc. etc. etc. A good skill that I learned from some of the Ops at PRO was not only what we were filming but giving the students boundaries of what not to get in the shot. At PRO (and when I practice by myself) there were no lights or flags, but it is easy enough to use other items around you as objects that you don't want in the frame (telephone poll, the left side of the doorway, the fire hydrent, pretend a car is that damn sound cart just on the edge of frame etc.).

 

I hope this helps,

 

Ari Gertler

Link to comment
Share on other sites

  • 2 months later...
  • Premium Members

I hope it is ok to forward this message although I don't understand why it wasn't posted here. Anyway.

 

Posted on CML-PRO 21.06.05

---

For the first time in Paris

at the Studios d'Aubervilliers

From September 18th to the 25th 2005

 

 

Under the directon of Garret Brown

Inventor of the Steadicam

with the assistance of Jerry Holway

 

Tiffen, Steadicam, Cartoni France and Steadiloc (the steadicam rental

division of Groupe TSF) are proud to present the:

 

"2005 European International Steadicam Workshop"

 

 

The workshop is aimed at professional cameramen and steadicam operators who

whish to hone their skills and confront their experiences with the world's

leading steadicam operators.

The workshop is limited to 24 participants, with 6 world class instructors

and at least 6 Steadicams and all the new technologies shown at IBC in

Amsterdam. (worshops will be held in English and French)

Price of the workshop is 2500 Euros + VAT where applicable. Four star

accomodations in Paris 800?. Down payment at reservation 800?.

 

INFORMATION AND BOOKINGS:

 

Tiphanie LANDRY: steadicam@tsf.fr

Regis PROSPER: regis.prosper@cartonifrance.com

 

-------------------------------------------------

Hope to meet some of you there!

 

 

Danys BRUYERE

Director of Operations

Groupe TSF

Paris

---

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
×
×
  • Create New...