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Short film in one shot. Steadi to snorri to techno crane


Michael Wilson

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Very nicely conceived!

 

Looks like: cut point from Steadicam to Snorri happens with the rock throw (which itself looked like CGI), hidden in the sudden dutch. The most interesting transition is then from Snorri to handheld, that appears to be seamless and I'm curious how the camera was liberated. Handheld to Techno during the empty frame of sky between the two rifle shots. I'm also curious if it was shot on an overcast day with full sky replacement, because that's way too much to happen during magic hour.

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So, I'm amending the "too much to happen during magic hour" part, since they apparently shot over three days, so...all day to rehearse each of the three segments and then shoot at dusk. NICE.

 

You can see the beginning of the handoff from Snorri to handheld--still wondering what their quick-release mechanism might have been.

 

I kind of love that the making-of has so little production BTS and so much laughing, eating, drinking, reading of graphic novels and smiling. Better way of life! (oh, and most importantly, no self-important interviews).

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